I was trying to roll a film in the 35 square inch fully light proof room in the photo dark room for my photography class..

Darkness alone
many other
behind the door

still very far

In this class’ discussion of nothingness I have got introduced to a different aspect of nothingness or a different way of seeing mu. Understanding that there is no central truth to our existence that would give it a meaning but the reality of evanescence and nothingness is a challenge for the modern mind.  As Professor Inouye was discussing nothingness, he gave raking the gravel in the ground as an example of nothingness. “The lack of separation between me and the gravel is nothingness” (Lecture 2/13). This means nothingness is the immediate presence, it is neither waiting for something to happen nor another world that would make today worth putting up for.  Embracing nothingness – though I hardly manage to embrace it, I start to understand what it is- is to be aware of one’s surroundings, be receptive to everything because there is nothing ‘old’ that would block us from taking all in -no old friends, no routines. Much to my discomfort I’ve started seeing routines, familiarity as obstacles that prevent me from experiencing something or someone new. Something Professor Inouye quoted from a fellow professor Elizabeth Ammons “We get in troubles because we seek comfort”  (Lecture 2/13) struck me in this point that I noticed that trouble in this case is not allowing ourselves to experience nothingness since we are on a constant strive to hold on to things, objects, people. What Merton (109) says  upon this : “Nothing to gain, nothing to lose; nothing to give nothing to take; just to be son , and yet to be rich in inexhaustible possibilities” is what sums the conflict between modern mind who sees having things as a richness and the japanese sensibility that would see the real richness in the nothingness that clears us for everything. Wish I could leave the people or the constants I hold on to for newness and nothingness, then I would have 85 percent of my brainpower free to make wonders…

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One Response to Nothingness

  1. Avatar of Madeline  Moe Madeline Moe says:

    I love your drawings, they look like wire sculptures! I agree that abandoning familiarity seems really appealing because it would free up so much more room for the new, but I also think that being 100% empty or open would make the new experiences empty themselves.

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