The Yes Men


“On December 3, 2004, the twentieth anniversary of the Bhopal disaster, Andy Bichlbaum appeared on BBC Worldas “Jude Finisterra”,[12] a Dow Chemical spokesman.[13] Dow is the owner of Union Carbide, the company responsible for the chemical disaster in Bhopal, India on December 3, 1984. An estimated 3,800 people died immediately from the hazardous chemicals and thousands more were killed by the plume from the UCC plant during the next few days.[14] The Indian government reported that more than half a million people were exposed to the gas, leading to numerous early and late health defects.[15] The Bhopal Disaster became one of the worst chemical disasters in history and the name Bhopal became synonymous with industrial catastrophe.[16] Immediately after the disaster, UCC began attempts to dissociate itself from responsibility for the gas leak.[14] The Indian Supreme Court eventually mediated a settlement in which UCC accepted moral responsibility and agreed to pay $470 million to the Indian government to be distributed to claimants as a full and final settlement. The average amount to families of the dead was $2,200.[17]” – Wikipedia


The Yes Men (along with the Anti-Advertising Agency) claimed partial responsibility for a prank on November 12, 2008, where approximately 80,000 copies of a fake edition of the July 4, 2009 edition of The New York Times were handed out on the streets of New York and Los Angeles.  The fake edition shows their ideas for a better future with headlines such as Iraq War Ends and Nation Sets Its Sights on Building Sane Economy. They also created a fake website,

Zachary Drucker

sourced from

2008-2009, Live Performance
17 minutes

The Inability to Be Looked at and the Horror of Nothing to See is a live performance that takes form as a group meditation. Viewers are directed, by a disembodied voice, through a series of breathing exercises, new-age visions, and dark, dysphoric confessions, all the while being instructed to pluck out the hair from an androgynous, stripped body in the center of the gallery.

Performed: PRAXIS Mojave in Joshua Tree, CA 2008. Resonate/Obliterate at Sweeney Gallery, UC Riverside, CA 2009. Visions of Excess at Spill Festival, London UK 2009. APF LAB, New York, 2009. Steve Turner Contemporary, Los Angeles, 2009.