Welcome to the start of another week! Here are the latest job postings from around the country. Happy hunting!
Northeast
Mid-Atlantic
Southeast
Midwest
South Central
West
Welcome to the start of another week! Here are the latest job postings from around the country. Happy hunting!
Northeast
Mid-Atlantic
Southeast
Midwest
South Central
West
From the Harvard Art Museums
32 Quincy Street, Cambridge, MA 02138
The Harvard Art Museums’ Department of Collections Management is accepting applications for an Intern to assist with a variety of projects in the Registrar’s Office.
About the Harvard Art Museums:
The Harvard Art Museums, ranked among the world’s leading art institutions, is comprised of three museums (Fogg, Busch-Reisinger, and Arthur M. Sackler) and four research centers (Straus Center for Conservation and Technical Studies, the Center for the Technical Study of Modern Art, the Harvard Art Museums Archives, and the Archaeological Exploration of Sardis). The museums have played a leading role in the development of art history, conservation, and conservation science, and in the evolution of the art museum as an institution. Through research, teaching, professional training, and public education, the museums strive to advance the understanding and appreciation of art. Integral to Harvard University and the wider community, the museums and research centers serve as resources for students, scholars, and the public.
Description:
This internship will provide an introduction to the practical aspect of managing fine art collections in a major museum and introduce the successful candidate to the museums’ cataloguing and temporary loan processes. The successful candidate will have the opportunity to:
Term:
Location:
This internship would take place at our Somerville Research Facility, 200 Inner Belt Rd., Somerville, MA. There is free parking onsite as well as a complimentary shuttle that leaves from the Museums in Cambridge every hour. More details are available here.
Qualifications:
How to Apply:
Please forward a letter of interest and resume to Claire Burns, Collections Management Coordinator at claire_burns@harvard.edu
Application Deadline: August 27, 2019
We’ve got a long list for you today – here are the job listings from the last week and a half. Happy hunting!
Northeast:
Mid-Atlantic:
South:
Midwest:
West:
As students and museum professionals, we are constantly revisiting the question of, “What is a museum?” We ask it of ourselves and of the visitors we serve – a quick search on Youtube, for example, yields such entertaining videos as What is a Museum? from The Brain Scoop and Ask the Kids: What is a Museum? from The Children’s Museum of Indianapolis.
I gathered a few more answers to the question this week as I taught summer camp at the Dallas Museum of Art. Titled The Museum of ME!, this camp introduced children ages 6-8 to different museum jobs and how exhibitions are created (thanks for the inspiration, Tufts course on Exhibition Planning!). By the end of the week, campers took on the roles of curator, designer, conservator, registrar, preparator, and educator as they developed and fabricated their own mini museums.
To start us off right, our very first activity was a big camp brainstorm to come up with a collective understanding of, “What is a museum?” Each camper and teacher drew a picture of something they believed “goes” in a museum, which we then taped to a big butcher paper drawing of an imaginary museum. You can see some of the responses below – each is a tiny representation of our museum interests and priorities. A few might even make you laugh.
Unsurprisingly, my contribution was… summer camp!
Transformation creates opportunities and problems that call for collective interpretation: What are we about? Who are we? What is important? What are our priorities?
(Eckel & Kezar, 2003a)
In May of 2019, a story of racist behavior directed at students of color at the MFA Boston broke on news sites across the internet. Seventh graders from Helen Y. Davis Leadership Academy, a charter middle school in Dorchester, MA, reported being targeted by racist speech from MFA staff and visitors and racial profiling by security. In the weeks since, the MFA has conducted investigations into the events, banned the visitors who made racist comments, opened discourse between museum and Davis Academy leadership, and organized community roundtables to begin the healing process.
Toward a More Inclusive MFA details the MFA’s responses to the Davis Academy visit and updates regarding MFA efforts regarding inclusion in the institution at large. Such transformation takes time and needs certain elements to foster change among individuals and at the institutional level. The five elements needed for transformative climate change as identified by Eckel & Kezar (2003b) are senior administrative support, collaborative leadership, flexible vision, faculty/staff development, and visible action. How have MFA efforts aligned with these five elements?
MFA leadership has been involved in these efforts from the beginning. Matthew Teitelbaum, director of the MFA, has been quoted often in stories from news sites. Museum-issued statements have come jointly from the chiefs of each department at the MFA. Makeeba McCreary, Chief of Learning and Community Engagement at the MFA, reached out to Davis Academy leadership herself to start the reparative process and has organized a series of roundtables on inclusion and race among educational and non-profit leaders in the Boston area.
As all information regarding this process is coming from MFA leadership, it appears that all of these measures are mandated by MFA leadership. Whether staff at different levels have had or will have input into the process is unknown. However, MFA leadership has openly collaborated with the community on this issue. They have been engaged with Davis Academy leadership since the incident and have opened discourse with community members regarding inclusion and racial equity.
Because museums serve the public at large, it behooves them to leave the specifics of “who for” and “how” open-ended. This way, museums can (theoretically) respond to trends with greater agility. The MFA does not have a clearly defined vision statement; instead, the mission is supplemented with statements in the MFA 2020 strategic plan and inclusion statements in Toward a More Inclusive MFA. In this time of action, MFA leadership should consider revisiting the mission. It was written in 1991 and, while flexible, it is old and places primary emphasis on caring for the collection. The idea is not to bring the focus so far away from collections, as Chet Orloff warns against in “Should Museums Change Our Mission and Become Agencies of Social Justice?” (Orloff, 2017); rather, it is to explicitly express that visitors are as valued as the objects within the museum’s walls.
Among the first measures announced by the MFA were staff trainings on conflict resolution and unconscious bias. Trainings were scheduled for June and July and some have already been completed. Similar volunteer trainings are being scheduled, but the timeline there is unknown. Information on follow-up sessions is unavailable, but the MFA has also noted that they contracted external consultants to “expedite and evolve” ongoing training in which all staff is required to participate. (“Toward a More Inclusive MFA,” 2019)
Before the Davis Academy visit, the MFA had already been working toward diversifying its staff through new recruitment methods, including adding paid teen internships and mentorship programs. Further steps toward enabling individuals from diverse backgrounds to earn a meaningful, sustainable living at the MFA include raising wages, adding full-time entry-level positions (and therefore benefits), and changing the requirements of and language in job descriptions. The Design Museum Foundation offers an excellent example of inclusive language in a job posting:
We know there are great candidates who may not fit into what we’ve described above, or who have skills we haven’t thought of. If that’s you, don’t hesitate to apply and tell us about yourself. We are committed to diversity and building an inclusive environment for people of all backgrounds and ages. We especially encourage members of traditionally underrepresented communities to apply, including women, people of color, LGBTQ people, and people with disabilities.
(“Marketing Manager – Foundation,” n.d.)
Towards a More Inclusive MFA is updated weekly with notes on completed trainings, results from investigations, and responses to news stories. People can also subscribe to the MFA email list to receive notice of updates as they happen. Some change can already be seen and heard in the museum more staff has been added to the galleries and school groups entrance. They have also changed the greeting used for school groups to be more welcoming and to avoid confusion with hurtful speech.
It goes without saying that the road toward healing and toward a more inclusive MFA will be long and challenging. The efforts so far are promising in terms of meeting the recommended elements for transformative climate change, though there is always room for improvement.
What are your thoughts on the matter?
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