I’ve recently fallen in love with the New York Time’s Close Read series, a digital exploration of a select number of works that serves as a fantastic introduction to interpretation and, well, close reading. The format itself is very user friendly and as someone who has little professional training in the arts, the information feels comfortable and approachable, not at all didactic or overly wordy. As I’ve been parsing through this series, I came across one that has been sitting in my mind all weekend.

MCA - Collection: In Memory of My Feelings - Frank O'Hara

In Memory of My Feelings – Frank O’Hara (1961)

“How a Gray Painting Can Break Your Heart” by Jason Farago is an in-depth exploration of Jasper Johns’s “In Memory of My Feelings – Frank O’Hara.” My immediate impression of the piece was underwhelming and frankly, I thought it was another abstract piece of art that would be far out of reach for me. “In Memory of My Feelings” is a gray painting; it is literally 99% gray and even the physical attachments of wire and spoon and fork are all gray. So, to me, not only was this piece at first glance dull, but it was also rather depressing. However, Farago explores this color and its meaning within the piece beautifully using Close Read‘s digital format. Farago’s narration is accompanied by a smooth transition between zoomed-in shots of specific pieces of the work and larger holistic views of the entire canvas.

This easy access is important for both visitors and educators who may not be entirely familiar with Jasper Johns and his gestural paintings. Not only do we get Farago’s interpretation of what these specific aspects of the piece mean, but we also get a refined look at the piece as a whole; we can pick up on subtle nuances in the gray that our untrained eyes may have otherwise missed. For me, I didn’t even pick up on the presence of any words on the canvas, but Farago highlights the importance of the raised “A DEAD MAN” lettering (and even goes so far as to give reference points for those like me who still struggled to find the phrase in the gray). 

“A DEAD MAN”

“In Memory of My Feelings” is a difficult piece; it is heavy, it is grieving, and it is at times frustratingly vague. As educators, we are often faced with these difficult works and the even more difficult conversations that accompany them. Farago’s method of interpretation here can be a useful tool for educators looking for a way to facilitate these conversations because he allows the viewers and readers to digest the piece at their own rate while considering their own thoughts and feelings. He constantly comes back to the thematic color gray as a grounding piece that we can latch onto and expands each interpretation of an idea from this color gray. I am fascinated by this method for talking about grief, utilizing something as universal as color to connect audiences to a concept that is uncomfortable, yet well-known today. And I feel that there is even more to be learned from Farago’s use of the New York Time’s Close Read format; it is an excellent way of getting viewers up close and personal with these important colors and ideas on canvas, especially in an age where being up close and personal is not always possible.

You can experience Farago’s interpretation of “In Memory of My Feelings” here and visit the Close Read series here.