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Tag: indigenous peoples day

Indigenous Peoples’ Day at Boston-area museums

First, we’d like to start with a land acknowledgement for Tufts University that we are grateful to borrow from an article in the Tufts Daily:

Tufts University’s Medford campus is located on Wôpanâak (Wampanoag) and Massachusett traditional territory. Tufts’ Walnut Hill was once one of the hills in a slave-holding estate called Ten Hills Plantation. Both Africans and Native Americans were enslaved in the colony of Massachusetts, and trade in Native American and African laborers made Massachusetts a driving force in the Atlantic slave trade. 

Op-Ed: Acknowledging our settler-colonial present, the Tufts Daily

Last year, in honor of Indigenous Peoples’ Day, Tufts Museum Studies Blog editor Danielle Bennett shared a list of articles covering efforts to decolonize museums around the world. This year, we’re sharing events happening at Boston-area museums, planned jointly with indigenous educators, artists, and leaders, that celebrate native history and culture.


Indigenous Peoples’ Day at the Museum of Fine Arts, Boston

Monday, October 14, 2019
10:00 am–5:00 pm


Features: free admission, special events

Enjoy free admission and special events at the MFA for Indigenous Peoples’ Day—and the Fenway Alliance’s 18th annual Opening Our Doors Day. Indigenous Peoples’ Day recognizes and celebrates the heritage of Native Americans and the histories of their nations and communities. Enjoy music and dance, take a tour of our Native North American Art Gallery and respond to our collection, and drop in on family art-making activities and artist demonstrations.

Co-created and presented in partnership with Akomawt Educational Initiative and Jonathan James-Perry, Tribal Citizen of the Aquinnah Wampanoag Nation.

Founded in 1870, the Museum of Fine Arts, Boston, stands on the historic homelands of the Massachusett people, a site which has long served as a place of meeting and exchange among different nations.

Cost: free with free admission


Indigenous Peoples’ Day: Abundant Voices at the Isabella Stewart Gardner Museum

Monday, October 14, 2019
10:00 am–4:00 pm

Also offered as part of The Fenway Alliance’s Opening Our Doors Day.

This Indigenous Peoples’ Day, the Gardner Museum is honored to collaborate with choreographer and Neighborhood Salon Luminary Marsha Parrilla of Danza Orgánica to present local Indigenous artists from the Massachusett, Nipmuc, Mashpee Wampanoag, and Aquinnah Wampanoag tribes.

The theme for the day is “Abundant Voices,” emphasizing the necessary perspectives and incredible work of these creative leaders. Enjoy hands-on art making, interactive performance, storytelling, a special performance from Gardner Museum Choreographers in Residence All Ready with local youth performers and more. 

Explore additional hands-on activities and performances organized by The Fenway Alliance throughout the day across the street from the Gardner Museum in beautiful Evans Way Park.

Cost: free with free admission on a first-come, first-served basis


Native American Poets Playlist at the Peabody Museum of Archaeology and Ethnology

Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm

In a program marking Cambridge’s Indigenous People’s Day–celebrated as the federal holiday Columbus Day–eight Native American poets may be heard reading their work in the galleries. Enrich your museum visit by listening to an evocative recorded playlist of contemporary poems by Native American authors. Wander freely across the first-floor galleries to see where the poems take you and expand your understanding of Native arts and cultures. The poems, drawn from a powerful recent anthology, New Poets of Native Nations (edited by Heid E. Erdrich; Graywolf Press) celebrate Native poets first published in the twenty-first century. Hear the exhibits “come into voice” and experience the museum in a new way. Borrow a free audio player with regular museum admission.

Jointly sponsored with the Harvard University Native American Program and the Woodberry Poetry Room at Harvard University

Cost: free with regular admission


Indigenous People’s Weekend at Plimoth Plantation

Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm


Long before Europeans arrived, the Wampanoag people were living in this area known as Patuxet. Join us as we acknowledge the indigenous groups that have called this place home and celebrate their traditions through song, dance, and craft.

Cost: free with regular admission


Wampanoag Perspectives on Land: Acknowledging Indigenous Space at the Fruitlands Museumm

Monday, October 14, 2019
2:00–3:00 pm

Join Elizabeth James-Perry (Aquinnah Wampanoag) on Indigenous Peoples’ Day at Fruitlands Museum as she presents “Wampanoag Perspectives on the Land: Acknowledging Indigenous Space.”  Elizabeth James-Perry (Aquinnah Wampanoag) is a multi-medium traditional and contemporary artist, with specialties in wampum shell carving and reviving natural dye techniques for her finger-woven sashes, bags, and baskets.

Cost: free with regular admission (space is limited – registration is requested)


Though the city of Boston and state of Massacusetts have yet to officially recognize Indigenous Peoples’ Day, we’re heartened to see that hasn’t stopped our cultural institutions. You can find other Boston-area happenings in this list from Cultural Survival. If you’re not in the Boston area, you can find Indigenous People’s Day events around the country in this list by Indian Country Today. Our guess (and hope) is that more museums near you may be celebrating and collaborating with indigenous voices tomorrow* – take a look for yourself!

*and next week, and next month, and next year, and so on – for many more days besides just tomorrow!

Decolonization Roundup

In honor of Indigenous Peoples Day, we’d like to share a roundup of articles about efforts to decolonize museums around the world.

With “Donors Force a Point at the Met that Never Should Have Had to be Made”, Nonprofit Quarterly looks at the shift in location for Native American art in a new exhibit opening at the Metropolitan Museum of Art this month. The shift was demanded by the donors backing the exhibit, and forced the Met to locate Native American art within the American Galleries, instead of their galleries for Africa, Oceania, and the Americas, where it is usually relegated, thus separating it from “America” conceptually.

“Sarah Cascone, writing for ArtNet, says, ‘In other countries, it is common to present indigenous art as part of the wider arc of a nation’s art history.’ Sylvia Yount, the curator in charge of the wing, told Brigit Katz at Smithsonian that US museums, including the Met, are ‘really behind the curve…when it comes to displaying indigenous artworks within the framework of America’s art history.'”

NPR’s “Where ‘Human Zoos’ Once Stood, A Belgium Museum Now Faces Its Colonial Past” looks at the history of The Royal Museum for Central Africa, where Belgian King Leopold once imprisoned more than 200 Congolese to be on display for Belgian crowds. The museum, and Belgium generally, has long resisted acknowledging its violent and colonial heritage, but is currently under the auspices of a Belgium director who is attempting to rectify some wrongs.

“‘They brought me here just to reform it,’ Gryseels says. ‘Obviously, our colonial past is something that we have to deal with.’ The museum finally closed for massive renovations in 2013, after years of planning. ‘We walk a tightrope,’ Gryseels says, between those who fear this transformation won’t go far enough and others who fear it will go too far.”

In “Decolonizing the Museum Mind”, a guest post for the American Alliance of Museums’ Center for the Future of Museums blog, Frank Howarth, former director of the Australian Museum  discusses the value of “welcome to country” practices that center traditional aboriginal owners of land and encourages European and US museums to embrace the idea and the values centered.

“A bit later I went to the then Getty Museum Leadership Program in 2010, with my New Zealand and Australian colleagues expecting to be welcomed to the Native American country on which the Getty Museum is situated (a comparable program in Australia or New Zealand would have a significant and very meaningful welcome to country by the traditional owners). We were surprised and disappointed that not only was there no acknowledgement of Native American place, there was negligible mention of anything Native American within the whole course. Nor was there any discussion around contemporary issues in museums and collections of the materials of first peoples.”

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