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Tag: museum education

Going Batty –  A Review of Bats! At the Peabody Essex Museum

Those making their annual pilgrimage to the Witch City this year should make time in between the ghost tours and psychics to visit the Peabody Essex Museum (PEM), located in the heart of Salem, Massachusetts. Though Boston-area residents are often familiar with PEM’s excellent exhibits and programming, visitors might be drawn to spookier attractions. However, one of PEM’s fall exhibits focuses on one of our favorite flying Halloween friends. Bats! provides a family friendly exploration of the often unjustly maligned and misunderstood creatures.

The exhibition was organized and produced by ExplorationWorks! and Build 4 Impact Inc. with assistance from The Dotty Brown Art & Nature Center.  Bats! takes an interdisciplinary approach which explores bats in art, science, technology, and cultures across the world. Exhibition curator and Sarah Fraser Robbins Director of the Art & Nature Center, Janey Winchell, states in an interview with PEM that most people know relatively little about bats, but that regardless of their opinion on or experiences with bats, “[…] once people are in the exhibition, they will discover things that relate to them in their own lives.” As a long-time nature nerd and bat lover, I had to see the exhibit for myself and the Peabody Essex didn’t disappoint! 

The exhibit is laid out in a non-linear fashion which helped avoid overcrowding in areas of the exhibit space and allowed visitors to explore at their own pace. The exhibit space is broken up by a series of temporary gallery walls, which created unique spaces within the exhibit while still allowing for wheelchair accessibility. Like many other visitors, I entered the exhibit and moved through it mainly clockwise. Ecological and biological facts on bats alternate with art and objects. I enjoyed that the exhibit text included abundant pictures of bats to illustrate concepts while visually pleasing.

Interactives are abundant in this exhibit and hit the rare mark of being engaging for all age levels. Some interactives are simple, such as flip boards for true and false bat facts and “bats around the world.” The bats around the world interactive is interesting and engaging but the text was small and difficult to read. The focal point of the exhibit is a live bat interactive featuring Egyptian Fruit Bats. The bats can be viewed from outside or by crawling in and looking up from inside a plastic bubble. Visitors of all ages enthusiastically crawled through the interactive. Grown adults without children were excited by the prospect of looking up from the tunnel at the bats. However, incorporating living beings into an exhibit always raises issues and questions. The bats weren’t very active and were all huddled together in the corner of the enclosure. True or not, this gave the impression that the bats are not pleased with their current situation. It also made it difficult for visitors to spot them. PEM seems to have anticipated some concern from visitors, including a label, “Frequently Asked Questions About the Bat Colony.” The label clarifies how the bats are cared for and where they came from…to an extent. The label states that the bats are from “Indiana Wild, a conservation and education organization.” I think it would be beneficial to clarify how that organization came to have the bats, whether they were seized from animal trafficking or born in captivity, and why it is not possible to release them. As a visitor, these were questions I had as I grappled with the ethics of displaying live animals. However, the impact of this interactive display cannot be overstated. Visitors connected with bats on a level that would be difficult to achieve otherwise. 

Another popular, but less controversial interactive is a table game which represents the threats to bats’ survival. Two partners must tilt a table to shift a ball through a maze, avoiding holes that represent challenges facing bats. This is a novel interactive unlike any I’ve seen in previous exhibits. The game is well designed, both fun and informative. I learned more than a few things about the threats facing Flying Foxes. For example, I had no idea that farmers internationally poisoned fruit to control predation of their crops! Other interactives include comparing human, bat, and bird bones on a magnetic board and making folded paper bats. The exhibit balances textual elements with interactives nicely, resulting in a dynamic exhibit appealing to visitors of all ages and experience.

The textual elements of the exhibit are just as engaging as the spectacular interactives. One section of the exhibit covered perceptions of bats across space and time, covering Africa, Asia, and the Americas. I overheard one visitor remark on the perception of bats in China, “Bats are considered lucky! I didn’t know that!” Other visitors enjoyed the section on bats in pop-culture, flipping through a series of posters featuring bats in movies and television. My personal favorite as a fan of folklore and history was the section on how European stigma and superstition surrounding bats formed. Spooky 17th century woodcuts of witches and demons with bat wings certainly felt appropriate for the season! “Which Came First the Bat or the Vampire?” explored the enduring connection between bats and European vampire lore. The labels explained complex concepts from culture, religion, and folklore at an accessible level which kept clear of judgment.

If the goal of Bats! is to challenge the stigma around the animal, it’s certainly a success. Two PEM interns acting as docents for the exhibit, Charlotte and Martha, stated that the exhibit has seen up to 1,000 visitors a day, with the lowest attendance still being 200. Charlotte, a student at Endicott College stated, “I generally hear positive feedback […] bats tend to be stigmatized and people’s perceptions of bats have changed positively.” Martha added that people can leave feedback on the exhibit in a notebook near the exit. Flipping through the notebook, I saw glowing reviews of the exhibit, exclamations of love for bats, and even fun bat cartoons! One visitor remarked, “10/10 recommend. respectfully want to boop the bats nose.” I can think of no greater endorsement than a nose boop! The exhibition, Bats!, attempts a multicultural and interdisciplinary exploration of bats in a relatively small package and it succeeds.


Bats! Curator Interview, 2023. https://www.youtube.com/watch?v=dbJXURbdsec.
 
Peabody Essex Museum. “Bats!” Accessed October 22, 2023. https://www.pem.org/exhibitions/bats.
 
Peabody Essex Museum. “Meet Winged Creatures of the Night in PEM’s Fall Exhibition, Bats!,” July 31, 2023. https://www.pem.org/press-news/meet-winged-creatures-of-the-night-in-pems-fall-exhibition-bats.
 
Rubino, Tony. Love Hate Bat, 2019. Acrylic on canvas. Photograph by Madeline Smith. 
 

Article by: Madeline Smith

MA Candidate, History and Museum Studies

Tufts University ’24

 

 

Public Programs Coordinator, Public Programs Division, Education Department [Museum of Fine Arts, Houston]

Public Programs Coordinator, Public Programs Division, Education Department

A part of the education department at the Museum of Fine Arts, Houston, the Public Programs Division oversees all programs for adult audiences and manages multiple projects that interpret the permanent collection and temporary exhibitions.

Working with the Associate Education Director, the public programs coordinator oversees a range of programs, such as lectures, scholarly symposia, music and dance performances, and other events, and interpretive projects and initiatives for adult audiences.

Responsibilities:

* Conceptualizes, plans, and implements a range of programs for adult audiences
* The MFAH Online Book Club, a program that links works of literature to works of art in the museum’s collection. Responsibilities include content development, leading docent training sessions, and tour schedule management.
* Gallery Conversations, a monthly program that offers adults direct engagement with works of art in a gallery through a discussion led by an expert
* With Associate Education Director, oversees select lectures, Artful Thursdays, and symposiums presented by invited scholars, artists, and specialists in a range of fields
* Develops and implements projects and initiatives that help adult audiences engage more deeply with works of art in the museum’s collection and exhibitions
* Includes the creation of physical and online interpretive materials designed to be used in the galleries or elsewhere
* Includes leading gallery tours for adult audiences and docents that employ sound pedagogical approaches
* Assesses the effectiveness and impact of programs and projects and makes changes as necessary to serve the needs of audiences
* Organizes and manages an exhibition of works from the museum’s collection which travels to library branches across the community, as well as related programs
* Serves as point person for Public Programs area for website content management, social media networking, and other online activities
* With Associate Education Director, edits labels and didactic text on permanent collection and special exhibitions; editing includes clarifying ideas and language for general museum audience
* Writes select components of grant proposals and reports for public programs division
* Writes or edits promotional copy for public programs division
* Other programs and duties as assigned

Skills, Knowledge, and Abilities:

* Demonstrated excellent writing, public speaking, and verbal communication skills
* Excellent organizational skills and interpersonal skills
* Proven experience teaching from works of art required
* Able to handle many activities and projects simultaneously
* Must be able to work evenings and weekends
* Familiarity with website content management and social media networking

Education and Experience:

* M.A. in art history or humanities required
* Art history or museum teaching experience, particularly with adults required
* 2 years experience planning and implementing museum or art-related public programs
* Experience working with adult audiences highly desirable
* Ability to engage with works of literature and relate them to works of art highly desirable
* Applicants should be sensitive to the enhanced public role that museums play in society and have a passion to communicate to others the joys and meanings of works of art

To apply, visit www.mfah.org.

Dr. Victoria Ramirez
W.T. and Louise J. Moran Education Director
The Museum of Fine Arts, Houston
P.O. Box 6826
Houston, TX 77265-6826
713-639-7321
vramirez@mfah.org
www.mfah.org

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