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Haunting Attractions for the Halloween Season

Agatha Wojciechowsky. American (born Germany), 1896-1986.
aw 0323, 1963.
Watercolor on paper.
Courtesy of the Collection of Steven Day, New York, NY

Image from the Minneapolis Institute of Art from the Supernatural America exhibit.

It only takes a few steps into a pharmacy or grocery in the month of October to see the impact of Halloween on the public. Aisles are filled to the brim with candy, fake spiderwebs, and gregarious costumes in anticipation of a raucous holiday season. As the town of Salem prepares for a record-breaking month of tourism, one thing is abundantly clear: mainstream interest in the occult, the scary, and the supernatural is stronger than ever.

Can this affection for the macabre manifest in the museum world? Is it possible to run exhibitions on the things that go bump in the night? Would people view a museum as the authority on the supernatural? In short, yes! Many museums have capitalized on the paranormal. Some institutions have featured supernatural themes in rotating exhibitions while others dedicate their entire exhibition capacity to allegedly haunted objects. For example, the recent traveling exhibit Supernatural America: The Paranormal in American Art enjoyed well-attended displays at the Toledo Museum of Art, Minneapolis Institute of Art, and the Speed Art Museum.

Of course, a bizarre and subversive topic like the supernatural lends itself to dramatic and otherworldly interpretations, with many institutions blurring the line between museum and haunted house. But rather than dismiss these unconventional museums for their unorthodox methods, we should approach them with curiosity—they are tapping in on an interest that is in high demand. If these institutions can generate excitement for visiting exhibits, they are making an invaluable contribution to the museum and historic house community.

Here are some haunting attractions to enjoy this Halloween:

Zak Bagan’s The Haunted Museum in Las Vegas, Nevada may look like a haunted mansion from the outside, but it holds hundreds of artifacts relating to true crime and the supposed supernatural. With thousands of positive reviews, it is clear that the Haunted Museum is providing an exciting and memorable visitor experience.

The Paranormal Museum in Ashbury Park, NJ is a popular roadside attraction in the New Jersey community. Combined with the Paranormal Books & Curiosities shop, the Museum is home to many haunted artifacts and ghost-hunting equipment.

Of course, historic Salem makes this list with the Salem Witch Museum, one of many occult museums and historic houses in this scenic New England town. At the Witch Museum, visitors can expect to learn about the origins and impacts of the Salem Witch Trials and will be encouraged to consider more modern iterations of this community-wide panic.

Image courtesy of Save Our Cemeteries.

No list of haunted attractions would be complete without mention of New Orleans. For those seeking a more interactive activity, a cemetery tour is the perfect fit. Explore the historic crypts and mausoleums of Orleans parish while learning about some of the cemetery’s most prominent residents. Tours conducted by Save Our Cemeteries, Inc are historically accurate and mutually beneficial—proceeds earned from tours are reinvested into the critical preservation of these historic landmarks.

Happy Halloween from the Tufts Museum Studies Program—we hope you have the happiest and safest of holidays!

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Article by Danielle Maurer

MA Candidate: History & Museum Studies

Tufts University

Fishin’ for Tourist Dollars: Museums in the News

Today’s New York Times reports that a spanking new museum, Go Fish, is reaping criticism. Some residents think that the 14 million dollar institution in Georgia is a boondoogle; an out-of-scale extravagance for a poor state during a recession. Others defend the museum, explaining that it was built to lure tourism and lucrative fishing competitions (which had previously ignored Georgia)… and it is working.

This new museum reveals some of the underbelly tensions in the museum world. Many museum directors spend time trying to convince state purse-string holders that their institutions significantly contribute to luring tourism dollars. Aquariums, like sports arenas, have long been considered economic assets, and some cities have built them for the express purpose of drawing visitors to the area. So is Go Fish any different? Would people be complaining if it was a sports arena?

But perhaps Go Fish does cross that shifting line in the sand of inappropriateness. Maybe it is more like the Creation Museum, founded on ideology rather than a collection or an educational mission. Would it make a difference if this museum emerged from a fish-related collection? Or if it was dedicated to exploring environmental issues in Georgia’s waterways? Here’s one more test: would you work there if offered a job?

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