Exploring ideas and engaging in conversation

Author: Amanda S. Wall (Page 4 of 7)

Weekly Jobs Roundup!

Greetings readers! Here is the national jobs roundup for the week of November 12th:

Northeast

Public Programs Assistant Manager [Museum on Blue Mountain Lake- Blue Mountain Lake, NY]

Curator of Education [Seal Cove Auto Museum- Mount Desert Island, ME]

Associate Educator for Interpretation [Portland Museum of Art- Portland, ME]

 

Mid- Atlantic

Manager of Volunteer Services [Grounds for Sculpture- Hamilton, NJ]

 

Southeast

Associate Professor of Museum Studies [University of Florida- Gainesville, FL]

Curator of Public Programs [Alabama Department of Archives and History- Montgomery, AL]

 

Midwest

Teen and Community Programs Manager [Ohio State University- Columbus, OH]

Family Learning Assoc. [Minneapolis Institute of Arts, Minneapolis, MN]

West

Education and Public Engagement Coordinator [Agua Caliente Cultural Museum- Palm Springs, CA]

WHSH Interpretation and Programming Manager [Nelda C. and H.J. Lutcher Stark Foundation- Orange, TX]

Exhibition Coordinator [Fine Arts Museum of San Francisco- San Francisco, CA]

Native Education Outreach Specialist [Buffalo Bill Center of the West- Cody, WY]

 

Call for Papers

Editors of the upcoming book For Love or Money:  The State of Museum Salaries, are offering the students in the Museum Studies program an opportunity to submit proposals for essays to be included in the book to be published by MuseumsEtc in the fall of 2019.

The museum profession suffers from systemic under-compensation and pay inequality. This book will examine both the causes of this situation and its resulting effect on staff, institutions, and the profession.  It will also propose strategies for remedying the problem.  It will identify internal and external factors that suppress wages, consider the impact of the present practices and paradigms on the field as a whole, articulate the benefits that fair and equitable compensation would achieve, and develop solutions to address wage inequity with the goal of strengthening our institutions, allowing committed museum staff to advance in careers that are financially and personally rewarding.

Further information and topics covered can be found here.

The closing date for the proposals is 17 December 2018.

The Centennial NEMA Conference and the Stamford Hilton Boycott

This past week many museum professionals and emerging professionals attended the New England Museum Association’s annual conference Museums on the Move. This year was a big year for NEMA celebrating its 100th annual conference. The theme of the conference was meant to investigate how museums have evolved over the past century and how they are “positioning themselves for success in the century ahead.” However, this years conference was marred by situations beyond the conference planners control that brought up many insightful discussions both at the conference and across the field.

According to NEMA’s Statement Regarding the Labor Situation at the Stamford Hilton Hotel and Executive Meeting Center, NEMA went into contract with the hotel for the centennial conference in August of 2016. In December 2017, workers at the hotel voted to join Unite Here local 217 with a vote of 110 to 5. These workers entered into this vote after months of intimidation strategies from the hotel owners including the presence of armed guards and the hiring of anti-union consultants.

UNITE HERE is a labor union representing 270,000 workers across Canada and the United States. They boast a diverse membership, predominately women and people of color, from across many industries. Their goal is “to enable people of all backgrounds to achieve greater equality and opportunity.” The hotel workers at the Stamford Hilton are currently in contract negotiations with the Stamford Hilton for three main demands: better wages, free quality healthcare, and pensions.

NEMA chose not to change locations for the conference as progress had been made in talks between the two sides over the summer. However, in recent weeks the headway made deteriorated and demonstrations and picketing at the hotel has continued. While NEMA choose to continue with the centennial conference they opened lines of communication with the hotel workers and invited union leaders to speak at the crowd at the keynote meeting.  Pampi of Decolonize our Museums conference panel facilitator, furthered lines of communications and disseminated information on requests from the hotel workers including the cancellation of hotel rooms and moving workshops off site. The purpose was to show both the union workers and the hotel management our solidarity to the workers strife. So why is it important for museum professionals to show solidarity to unionized hotel workers?

As museum professionals, workers, and emerging professionals we must first and foremost have empathy. As human, we must have empathy for the struggles of others. However, beyond that, museum workers have much in common with hotel and other service industry workers. Not just in the long hours and low wages we share, but in the structures of the industries that often relegate women and people of color to the lower levels. In recent years many non-profits have been turning to unions to organize workers and collaborate on common causes and increasingly museum security and custodial staff have unionized. Museums such as MoMA and Plimoth Plantation have unionized workers and have successfully fought for better working conditions, wages, and healthcare. Other organizations such as #Museum WorkersSpeak have attempted to look “at the relationship between museums’ stated commitments to social value and their internal labor practices.” We stand in solidarity because these labor issues effect this profession as well. We enter the museum field drawn in by a love of museums, but research shows many emerging professionals leave do to low wages, insufficient benefits, and lack of job prospects among other reasons. What more can we and should we do to create better labor environments for both ourselves and others?

Weekly Jobs Roundup!

Happy October! Here’s the jobs roundup for the week of October 1st:

Northeast

Native History Educators  and other positions [Plimoth Plantation- Plymouth, MA]

Assistant Museum Preparator [Currier Museum of Art- Manchester, NH]

Director of Collections and Exhibitions [The Olana Partnership- Hudson, NY]

Visitor Services Manager [National September 11 Memorial and Museum- NY, NY]

Teaching Artist and Museum Educator [Queens Museum- NY, NY]

Museum Specialist [Roger Williams Park Museum- Providence, RI]

Mid-Atlantic

Director of Inclusion [AAM- Arlington, VA]

Registrar [Biggs Museum of American Art- Dover, DE]

 

Southeast

Public and Digital History Asst. Professor [Clemson University- Clemson, SC]

Exhibit Manager [Morehead Planetarium and Science Center- Chapel Hill, NC]

 

Midwest

Public Scholar of Museums and Learning [Indiana University- Indianapolis, IN]

Guide Program Manager [Crystal Bridges- Bentonville, AR]

 

West

Museum Registrar [The Museum of Indian Arts and Culture- Santa Fe, NM]

Curator of Education [Idaho State Historical Society- Boise, ID]

Assistant Registrar [Santa Barbara Museum of Art- Santa Barbara, CA]

Exhibits Preparator [Natural History Museum of Utah- Salt Lake City, UT]

Associate Curator of Modern and Contemporary Art [The San Diego Museum of Art- San Diego, CA]

Historic Site Specialist [Heart Mountain Interpretive Center- Powell, WY]

NAGPRA Assistant [Autry Museum of the American West- Los Angeles, CA]

 

Unusual Collections: The Dog Collar Museum

Humans have always been interested in unusual, curious, and odd things. For this reason unusual collections, both personal and in museums, exist throughout the world. This interest in collecting the unusual and interesting can be traced back to the cabinets of curiosity popular in 16th century Europe. The Dog Collar Museum, at Leeds Castle in Kent, England, is an example of a once privately owned collection of unusual items now on display for the public.

The Dog Collar Museum run by the Leeds Castle Foundation is billed as “a unique collection of historic and fascinating dog collars [that] has been built up over the years and is now the largest of its kind on public display anywhere in the world.” The collection started with sixty dog collars donated to the Leeds Castle Foundation by Mrs. Gertrude Hunt in memory of her husband, historian and Medievalist, John Hunt. Since its donation in 1977, the collection has grown to over 130 rare and valuable collars spanning from Medieval to Victorian times. Recently, thirty additional collars were discovered in storage and are now on display for the first time. The oldest of the collars in the Dog Collar Museum is a 15th century a Spanish iron collar for a her mastiff that would have been worn for protection of the dog while on hunts. Some of the most interesting collars in the collection are the ornate, gilt baroque collars bearing inscriptions, coat of arms, and messages of the owners.

The collection is housed on display in the former stable and squash court of the Leeds Castle. The castle a museum itself, was started in honor of former owner, Lady Baille. The museum aims to display the collection in a “fresh and creative new presentation–fun for children and adults alike.”  It interprets the collars as not just functional objects, but as personal items that can give insight into the lifestyles and relationships between the dogs and their masters. If ever in Kent, England, be sure to check out the Dog Collar Museum and the other interesting exhibits and beautiful grounds at Leeds Castle.

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