Author: Andrea E. Woodberry

What We’re Reading: Partying with Priceless Art: Why Galleries Are Loosening Up At Night

What We’re Reading: Partying with Priceless Art: Why Galleries Are Loosening Up At Night

Evening parties are becoming more and more common at museums. They often appeal to a younger crowd, offer a new way to engage with collections, and add to the cultural nightlife of a city. Events involving alcohol, dance, and large crowds can give museums of 

Paid Tech Studio Intern [Museum of Science, Boston, MA]

Paid Tech Studio Intern [Museum of Science, Boston, MA]

PROGRAM DESCRIPTION: Tech Studio develops and facilitates staffed programs for visitors introducing them to the engineering design process, computational thinking, and “maker” skills and processes. Through hands-on activities and design challenges, visitors have the opportunity to think like engineers and innovators and explore how their 

“Not Your Grandmother’s House Museum” at NEMA

“Not Your Grandmother’s House Museum” at NEMA

Last week at the New England Museum Association (NEMA) conference, I had the opportunity to attend an off-site session at the Osterville Historical Museum. The session, titled “Not Your Grandmother’s House Museum,” was about how to increase engagement of local communities at small historic sites. The Osterville Historical Museum is home to two historic homes and a boat shop with over a dozen wooden boats. After time exploring the boat shop, we were welcomed to one of the historic homes with warm protection from the rain and refreshments. Settling in for the conversation portion of the session, we learned the three key principles the historic site follows to guide interactions with their community. Called the 3 R’s, they are as follows:

  • Relevance: the museum should be present with their community and understand current issues the community cares about. For the Osterville staff, this means being a part of every group in the village. Being present at those meetings builds support for the museum and shows the museum’s support for the whole community. While this level of involvement is only possible in museums in small communities, larger institutions should get involved as much as they can – what meetings is it most important for the museum to be present at?
  • Resources: museums need to take a hard look at their resources before deciding what activities to participate in or initiate. What grants are available? Who do they have on their team and what skills do they offer? If staff is present at other community events and groups what resources do these two-way relationships bring to the table?
  • Relationships: Who are all the people interacting with your museum? Volunteers, visitors, collaborators, funders, etc. How can you keep them engaged and maximize those relationships?

While these three points guide many of Osterville Historical Museum’s decisions, questions during the session raised a few final key points:

  1. Keep volunteers actively motivated and engaged. Make it a fun and supportive place where they can share their talents and connect with others in the community.
  2. Don’t overuse resources – keep in mind what your physical and human resources can handle and don’t push it. Long-term sustainability is key.

How can you apply these tips and guideposts to your museum? How do you effectively engage your communities while remaining sustainable?

Holiday Celebrations in Museums

Holiday Celebrations in Museums

With Halloween and Veteran’s Day coming up, I began thinking about how American museums respond, or not, to various holidays. In attempting to stay relevant to their visitors, should museums address holidays? If so, which ones? We certainly cannot expect every museum to celebrate every 

Development Intern [Discovery Museums, Acton, MA]

Development Intern [Discovery Museums, Acton, MA]

The Discovery Museums (Acton, MA) seek a Development Intern to start in early 2018 through mid-May for approximately 15-20 hours per week (schedule and hours flexible). The intern’s primary focus will be on coordinating the Museum’s online auction, which in spring 2017 raised more than