Exploring ideas and engaging in conversation

Author: Lauryn Weigold (Page 2 of 4)

Museum Job Roundup 3/11/2024

Welcome to the weekly roundup! We do our best to collect the latest job openings and welcome submissions from the community. For more opportunities, we recommend the following databases:

INTERNSHIPS

NORTHEAST

MIDATLANTIC/SOUTHEAST

 MIDWEST

WEST COAST/SOUTHWEST

Channeling My Climate Anxiety Into My Coursework

With 60 degree days in February in Boston, trees budding early, and a general sense of impending climate disaster making itself more felt with every passing day, I have started to enter the climate anxiety or eco-anxiety zone. Sarah Lowe, a clinical psychologist and Associate Professor at Yale, defines climate anxiety as “distress about climate change and its impacts on the landscape and human existence”1, and Anthony Leiserowitz, the founder and Director of the Yale Program on Climate Change Communication and Senior Research Scientist at Yale School of the Environment, says that 27% of Americans say they are very worried about climate change.2

In general I consider myself an optimist and believe in the power of individual actions in tandem with structural/policy changes, but lately have felt increasingly anxious and powerless in regards to the clear signs of climate change and its effects. However, my optimism tends to win out, so I’ve decided to channel my climate anxiety into all of my coursework for this semester–something I’ve decided to refer to as my “climate semester” but also “living my best hippie life.” This semester I’m taking three classes: Museum Education for K-12 Audiences, Exhibition Planning, and Children as Earth Stewards, all of which have seamlessly allowed me to fulfill my goal of making all of my assignments climate change/nature related.

As the course title reveals, the Museum Education for K-12 Audiences class focuses on the vastly diverse audience demographic we refer to as K-12, which typically brings to mind school groups, but includes scout and other youth groups, as well as the adults that come along with these children. The first assignment for the class was to pick a badge from either the Girl or Boy Scouts and then choose a museum and utilize their collections to create a unique and engaging program for the scout group that meets all of the badge’s requirements so that at the end of your program, the scouts will have earned that badge.

I chose to do the Girl Scouts’ “Flowers” badge and pair it with the Emily Dickinson Museum in Amherst, MA. It was a fun project to research and put together because even though I had prior knowledge of Dickinson’s poetry about flowers or with floral motifs and her love of gardening, I was surprised to find more and more connections between her interests and hobbies and the badge requirements. My interdisciplinary approach prioritized scientific concepts as well as poetry, which included an activity where scouts would sit in the garden behind the Homestead and observe a flower of their choosing for ten minutes, then spend ten minutes composing a poem about or inspired by their flower, then share with the group, if they’re feeling courageous. Though not specifically geared towards inspiring action on climate change, the program I planned for this assignment does foster connection to nature, which is an important step to becoming an advocate for the planet.

As one might have guessed from the title, the Exhibition Planning course is set up so that at the end of the class everyone has planned an exhibition from scratch. The exhibit I’m working on is centered on the connections between picture book art and nature and how those early connections to nature can encourage children to become climate advocates. Given that the exhibit is entirely made up and I can do whatever I want, my make-believe exhibit will be co-curated with children, including exhibit labels. The artwork in the exhibit would be organized into three categories, which are types of depictions of nature based on communities: urban, suburban, and rural. My line of thinking is that if children see nature depicted in their communities they’ll realize that nature is everywhere, that humans are part of nature, and in turn, would feel empowered to advocate for climate solutions in their life. We’re still in the early planning stages, but empowering youth, making room for youth voices in museums, and advocating for climate solutions and nature connection are all things I’m passionate about and art–especially picture book art!–is such a powerful tool for change.

Least museum-y of all is the Children as Earth Stewards class, which is an education course that focuses on ways in which to foster connection to nature and develop children as advocates for the planet. Clearly a topic very up my alley. There are numerous projects I’ll be doing for this class, but one I’m particularly excited about is the eco-literacy project . The eco-literacy project involves choosing a topic about the environment or natural processes (desertification, the water cycle, keystone species, etc.) and a target age group as the audience and then creating an educational material for that audience about that topic. Given the flexibility of the project and my interests, I’m planning to create pre-visit materials (namely a lesson and slideshow) for a class of middle schoolers who are theoretically preparing for a field trip to the Arnold Arboretum. The topic will be keystone plants,3 which is a concept attributed to entomologist Douglas Tallamy, whose research has shown that some genera of plants are the most productive and support the most species, for example, one of Massachusetts’ keystone plants is New England Asters.4 

While I don’t necessarily consider myself an environmentalist, I am happy to have a chance to spend an entire semester thinking of ways that not only I can bring up environmental topics and consider my role in advocating for climate solutions, but also how to bring these topics to my professional work and career. There are so many exciting opportunities to connect environmentalism and sustainability to the museum field and I look forward to continuing to advocate for solutions and youth empowerment when and where I can.

The picture featured at the top of the post is the area above my desk, which I refer to as my “inspiration board.” It has pictures from exhibits I admire, artwork from some of my favorite picture book illustrators, quotes I love, and more!


[1] “Yale Experts Explain Climate Anxiety.” Yale Sustainability, March 13, 2023. https://sustainability.yale.edu/explainers/yale-experts-explain-climate-anxiety.

[2] Ibid.

[3] “Container Gardening with Keystones.” Homegrown National Park, November 30, 2023. https://homegrownnationalpark.org/keystone-container-gardening/?gad_source=1#81.

[4] “Container Gardening Keystone Plants List.” Homegrown National Park, n.d. https://hgnp.wpengine.com/wp-content/uploads/2023/04/HNP-CONTAINER-GDN-L.2_8.1s.pdf 

 

Museum Job Roundup 2/19/24

Welcome to the weekly roundup! We do our best to collect the latest job openings and welcome submissions from the community. For more opportunities, we recommend the following databases:

INTERNSHIPS

NORTHEAST

MIDATLANTIC/SOUTHEAST

 MIDWEST

WEST COAST/SOUTHWEST





Unconventional Museums

When one thinks of museums, we generally think of art, history, or science museums, but all kinds of museums exist and today we take a look at just a few selections of unconventional museums in the US. Whether because of topic, presentation, or collections, these museums are for those who are looking for something different, and perhaps, like me, consider themselves “strange and unusual” just like Lydia Deetz and these museums.

 

International Cryptozoology Museum (Portland and Bangor, ME)

Inconsistent in its interpretation but steeped in enthusiasm and interest, the International Cryptozoology Museum bills itself as the world’s only cryptozoology museum. For those unfamiliar, cryptozoology is the study of hidden or unknown animals or creatures (which are referred to as cryptids), some of the most well-known being Bigfoot, the Loch Ness Monster, and Mothman. The exhibits feel similar to old-school museums in their “cabinet of curiosities” days, and that’s by design. The ICM presents curated looks at either one cryptid or a regional look at a few cryptids, offering some labels with information but more often that not just questions, allowing the visitors to decide what they believe in. 

National Museum of Funeral History (Houston, TX)

Though some may shy away from darker topics like death and funerals, the National Museum of Funeral History celebrates and honors “the compassion and dedication of the funeral services industry.” Exhibits include 19th Century Mourning, The History of Embalming, Presidential Funerals and Celebrating the Lives and Deaths of Popes–an eclectic collection of funeral industry topics and popular history topics, including an exhibit about the Shroud of Turin.

Maine Coast Sardine History Museum (Jonesport, ME)

Only open seasonally from the third Sunday in June through September 30th, the Maine Coast Sardine History Museum is a labor of love dedicated to an area of the country that was once home to a booming cannery business–Jonesport alone once had as many as 15 canneries in town. Run by a couple who spent 7 years collecting artifacts, the Maine Coast Sardine History Museum houses objects related to canning and fishing with exhibits dedicated to the steps in the canning process and regional cans and photographs. The most poignant display, however (at least from someone who has yet to visit), is the wall of scissors that sardine packers used, each labeled with the woman’s name for who used it and which canning company they worked for.

The Mob Museum (Las Vegas, NV)

Housed in a former US Post Office and Courthouse, the Mob Museum focuses on organized crime as well as law enforcement which offers an interesting take on a contentious topic. Boasting items on exhibit as notorious as the St. Valentine’s Day Massacre Wall (with bullet holes spotlighted), a Godfather script, Bugsy Siegel’s sunglasses, and a Tommy Gun that belonged to an associate of Al Capone, the Mob Museum entertains as much as it informs. Those looking for a little bit of excitement after seeing the exhibits can head downstairs into the speakeasy–so long as you know the password for that night (found on the museum’s website).

Museum of Jurassic Technology (Los Angeles, CA)

This staple of Venice Boulevard (open since 1988) calls itself “an educational institution dedicated to the advancement of knowledge and public appreciation of the Lower Jurassic,” though others have described it as “a museum about museums” “where the persistent question is: what kind of place is this?” Exhibit highlights include “The Garden of Eden on Wheels: Collections from Los Angeles Area Trailer Parks,” “The Unique World of Microminiatures of Hagop Sandaldjian,” and “Tell the Bees: Belief, Knowledge, and Hypersymbolic Cognition.”

Oasis Bordello Museum (Wallace, ID)

Step back in time in this cathouse turned museum that has been virtually untouched since the FBI raid that shut it down in 1988. Full of the clothes, toiletries, drawings, liquors, and food in the fridge that was left behind by Madame Ginger and the sex workers of the Oasis, this museum offers a unique glimpse into days gone by in a town that was defined by the mining industry.

VAMPA (Bucks County, PA)

The newest museum on this list, having just opened in October of 2023, VAMPA is a museum dedicated to vampires and paranormal activity. So far their only exhibit is “The Art of the Kill” which features “vampire killing sets and weapons,” a term that doesn’t shed any light onto what the objects actually are, though the website does mention possible components of a set with no indication whether those objects are the ones on display. Perhaps the only place where any hint of what the museum stands for comes from the mission statement: “VAMPA strives to create an environment where psychological drama and spiritual conflict are given free reign for imagination. A place that stimulates learning and understanding on how the magical mystery of the supernatural, folklore, myth, and faith has influenced the world in sculpture, painting, furniture, and objects of art throughout the ages.”  

National Museum of Toys and Miniatures (Kansas City, MO)

For fans of the current trend of miniatures, you’re sure to find all kinds of joy and wonder at the National Museum of Toys and Miniatures, which currently boasts more than 93,000 objects. A glance at their website–which offers an impressive look at their collections–shows off some of the delights to be found at the museum, including a 1.5 foot tall Tudor style bedroom, a four-inch tall portrait of Madame de Pompadour, and a 1 foot tall Beacon Hill house. In fact, dollhouse fans will find plenty to love, especially on the toy side of the collections.

International UFO Museum (Roswell, NM)

Located in the town notorious for a crashed down UFO, the International UFO Museum (and Research Center) was organized “to inform the public about what has come to be known as ‘the Roswell Incident.’” On their about page, they mention that they “endeavor to be the leading information source in history, science and research about UFO events worldwide.” Having visited only once back in the late 90’s/early 2000’s, I’d be curious to return and see it again, and perhaps get a better idea of what the exhibits actually look like–other than the alien statues that I took a picture with as a child.

National Atomic Testing Museum (Las Vegas, NV)

Though Vegas may more readily bring to mind casinos and showgirls, back in the 1950’s about 65 miles northwest of the town a nuclear testing site was set up and soon the mushroom clouds coming from the testing site were as much a part of the Vegas skyline as the glittering lights. Exhibits at this Smithsonian affiliate include authentic and replicas of nuclear equipment, a temporary exhibit on the NSA and data gathering, as well as pop culture artifacts that feature the atomic bomb, showcasing its ubiquity and popularity at the time. 

Curating Self-Care at NEMA and Beyond

Though NEMA happened back in November, this post written by Tufts Museum Education student Samantha Snow offers useful insights for museum professionals to consider year-round.

Photo courtesy of Nuria Lizarraga

“Museum folks are not alright.”

This message was displayed with a bright orange background on a six-foot tall screen, confronting the room of over 40 museum professionals with an unavoidable truth. The panel, led by Rachel Farkas of the Rose Museum, Alex Lehning of Vermont Cooperative for Practice Improvement & Innovation, and Carole Ann Penney of Penney Leadership, presented some sobering statistics affecting museum professionals today, including the disquieting reality that two thirds of museum professionals are considering leaving the field due to burnout, low pay, and other factors leading to job dissatisfaction. If museums can have a demonstrable positive effect on mental health for the communities that they serve, the panel asked, then why does that benefit not extend to those working in museums?

Museum work is demanding. We are regularly asked to do physical, emotional, and intellectual labor, to be adaptive and collaborative but also decisive, and while we strive to put our communities and institutions first, we often put ourselves last. When we put ourselves last long enough, we find we no longer have the energy to show up for our work, let alone for ourselves. We deserve to have our well-being supported by society and our institutions, but even if they fail us, we still have responsibility for caring for ourselves. We cannot wait for the world to change before taking action on our mental health.

Despite the candid discussions of burnout and poor mental health among museum professionals, the session did not dwell on doom and gloom. This hour and a half meeting was a welcome respite from the hustle and bustle of the NEMA conference. At the start of the session, Alex Lehning guided the audience through a brief breathing and meditation exercise, and I felt my shoulders noticeably relax from the tension of meeting dozens of new people and attending hours of back-to-back lectures over the course of the three-day conference. We listened to the panel members’ reflections on their self-care routines and activities, and everyone had a different approach that worked for them: Rachel makes time for daily exercise and movement, Alex uses meditation, and Carole Ann’s crafts and bakes for herself and others. The panel members explained how self-care activities can be categorized as environmental, social, physical, mental, or combinations of the four and what works for each person is highly individual. This discussion reminded us that self-care is not a one-size-fits-all process – just as we listen to the unique needs of communities in our museum work, we need to listen to our own unique care needs when prioritizing our mental health.

The openness of the panel leaders encouraged openness among the attendees – the folks at my table had fun sharing about our own self-care activities, everything from gardening to journalling to pet cuddles, as part of a break-out discussion. But when the audience began sharing their personal approaches to self-care at the end of the meeting, I was reminded of just how important this conversation is. One museum professional hesitantly spoke up and said that she could not come up with a single self-care activity because any time she spent that wasn’t productive made her feel like she was being lazy. Carole Ann validated her response; we have all been affected by our productivity-obsessed culture and it is particularly pervasive in the museum field. But this mentality, when unchecked, leads to the same dissatisfaction, burnout, and turnover discussed at the start of the session. 

We owe it to ourselves to prioritize our self-care so we can keep showing up for ourselves and the communities served by our museum. By curating acts of intentional mindfulness, we can start chipping away at a culture that asks us to put ourselves last. How can you prioritize your well-being today?

Written by Samantha Snow.

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