by Tegan Kehoe
This fall, the museum where I work is having an exterior restoration project done, and this means the building will be enveloped by scaffolding with dark mesh covers. The gallery, which is largely lit by natural light, will be considerably dimmer. After a staff meeting that included a lot of joking around about lending out headlamps in admissions, a few of us realized that now would be a great time to create large print exhibit guides, which had been in the back of our minds for a while. I volunteered to spearhead the effort.
I set about looking for resources and examples to make the guides as useful as possible. In doing so, I learned that there are few universally-accepted standards in this area. In addition to making the font large, it is important to print on opaque, non-glossy paper, to minimize special formatting, and to use a clear and readable font, but often, I found I just had to read what many different groups had to say and choose what seemed to make the most sense for this particular project. I wish we had a focus group of testers, but it doesn’t look like that will happen. Continue reading Learning Large Print