Recent Posts

Boston Emerging Museum Professionals Meetup

Boston Emerging Museum Professionals Meetup

Heads up on this potentially very fun evening! Our next event will be Tuesday, August 30th at 6pm. We’ll be getting a behind the scenes look at the Bostonian Society’s Old State House with staff from the collections department and then heading to a bar nearby in Faneuil Hall 

Center for the Future of Museums

Center for the Future of Museums

We’ve posted about this before, but I just finished reading my weekly newsletter from the CFM and thought that a reminder would be in order. If you are not yet following the work of the AAM’s Center for the Future of Museums, you really should 

A Strategic Plan for Your Career

A Strategic Plan for Your Career

Do you have a strategic plan for your museum career?

Lots of museums have five or ten year strategic plans, but have you ever thought of doing one for yourself? At the very least, some goals and timeframes will help you aim for where you want to be.

Linda Norris, an independent museum consultant and author of The Uncataloged Museum blog, has a great post up about Charting a Course; figuring out your own personal strategic plan.

The Missing Piece Documentary

The Missing Piece Documentary

August 21, 2011 is the 100 year anniversary of the famous theft of the Mona Lisa from the Louvre in Paris. The painting disappeared for two years, stolen by Italian artist Vincenzo Peruggia. Joe Medeiros is a comedic writer who has been obsessed with the 

Fall Semester Approaching Fast

Fall Semester Approaching Fast

Heads up everyone: a month from yesterday is the first day of classes for the Fall 2012 semester at Tufts University. Those students I’ve been hearing from haven’t been resting on their laurels this summer – the Tufts Museum Studies program has been venturing hither 

Crowdsourcing History

Crowdsourcing History

Nice and timely, two very interesting and very different ways in which museums and archives are crowdsourcing their materials.

In case you’ve never heard of it, “crowdsourcing” is a term used to refer to the placement of a task – or more usually a very large series of tasks – in front of an audience, and asking that audience to complete the tasks. It’s used for commercial purposes in places such as Amazon’s Mechanical Turk software, in which users earn a few pennies per task.

More pertinently for us, it can be used with more intangible currency. Providing your audience (and the audience you didn’t know you had, thanks to the wonders of the World Wide Web) with small, engaging tasks akin to playing a game, with clearly defined benefits for the institution can pay off dividends in the long run. You’re giving your audience a stake in the project – a sense of ownership – and creating a sense of community. A really good crowdsourcing project harnesses all the flexibility and personal connections possible on the internet. (We talked a little bit about crowdsourcing in our posts about Historypin.)

Your first example is one featured on the Center for the Future of Museum’s blog: the United States Holocaust Memorial Museum’s Citizen History Project. Users are asked to help with a number of tasks, including tracking down children who went missing from the Lodz Ghetto in 1941.

Another project, and one that completely blows my mind, is the Ancient Lives project. Oxford University, the Egypt Exploration Society, and the University of Minnesota have teamed up to harness the power of internet users to help translate the Oxyrynchus Papyri. The most amazing part? They’ve managed to do so in a way that’s accessible to those among us who don’t read ancient Greek. The History Blog has a great overview of the process, so go, read up.