Recent Posts

Upcoming Panel Discussion at TUAG on 11/8

Upcoming Panel Discussion at TUAG on 11/8

Next week, the Tisch Family Gallery will host a panel discussion among curators and art historians about the role of art education. Panel Discussion: Does Education Define an Artist? The predominantly self-taught artists in the current Tufts’ exhibition Expressions Unbound prompt us to consider how artists have been 

On Education and the Vote

On Education and the Vote

Museums have, for many decades now, been sites of learning and exploration for people of all ages, economic classes, and educational levels. The idea of informal learning spaces assisting with civic education of newly arrived Americans has its roots in a Progressive Era ethos of 

Assessing Allyship with the AAM

Assessing Allyship with the AAM

October is a great time to talk about LGBTQ+ identity in museums! You may be thinking, “Isn’t Gay Pride in June?” and you’d be right, but October is also a key month for discussing more than just pride. Not only was National Coming Out Day held on October 11th, but it also happens to be LGBT History Month in the US and UK. Additionally, the first annual International Pronouns Day was observed this year. This event seeks to normalize the practice of recognizing preferred pronouns and asking for them in public spaces. Considering as well the recent rumors that the Department of Health and Human Services is about to propose changes to the federal definition of of gender to exclude trans and genderqueer people from federal civil rights protections, the time is right to evaluate how museums are treating their LGBTQ+ audiences, staff, and subjects.

The American Alliance of Museums has made a guide for welcoming LGBTQ+ people available for several years now and it is an excellent place to start when evaluating if your museum is doing all it can do to support the LGBTQ+ members of its community. The guide is multi-faceted, applying LGBTQ+ concepts to AAM’s seven Standards of Excellence, ranging from Facilities Management to Public Trust and Accountability and everything in between. Like their Standards of Excellence, the LGBTQ+ Guidelines provide a handy self-assessment checklist to aid museum staff in evaluating their own institutions. So what do these standards look like?

 

 

 

 

In this example from the Public Trust and Accountability section, you can clearly see how a Standard of Excellence, in this case adherence to all federal, state, and local laws, can be put through an LGBTQ+ critique that results in guidelines that surpass the requirement to comply with laws. While your institution will of course continue to follow any governing statutes, regulations do not always protect people from harassment on the basis of gender identity or sexual orientation, for example. In a case like this, creating an internal policy that assures your LGBTQ+ staff and visitors that harassment or bias is not permitted on site helps your organization move from indifference to welcome.

 

 

 

Here, within the Mission and Planning standard, the recommendation to be inclusive of local communities when making decisions regarding collections, exhibits, or programming is applied specifically to the LGBTQ+ community. Moving beyond “token” attempts at diversity to build relationships with your local LGBTQ+ community groups shows an investment in the people that make up your audience. Consulting with LGBTQ+ experts and groups when putting together exhibits demonstrates an interest in accurately representing a marginalized community.

The intention of these guidelines is to provide measurable benchmarks that indicate that an institution has moved past “tolerance” of LGBTQ+ people into “inclusion” or better yet, ownership and community collaboration. In a time where rights that have been secured are at risk of being rolled back, it is worth taking a fresh look at these guidelines to consider if your institution is doing all it can to be an ally of the LGBTQ+ community.

Who does the new National Law Enforcement Museum serve?

Who does the new National Law Enforcement Museum serve?

On Saturday, the National Law Enforcement Museum opened to the public in Judiciary Square in Washington, D.C. The Museum, which cost $103 million to construct, has a collection of 21,000 objects, and is intended to educate visitors about the experience of working in law enforcement. Featuring 

Decolonization Roundup

Decolonization Roundup

In honor of Indigenous Peoples Day, we’d like to share a roundup of articles about efforts to decolonize museums around the world. With “Donors Force a Point at the Met that Never Should Have Had to be Made”, Nonprofit Quarterly looks at the shift in location 

Weekly Jobs Roundup!

Weekly Jobs Roundup!

Happy October! Here’s the jobs roundup for the week of October 1st:

Northeast

Native History Educators  and other positions [Plimoth Plantation- Plymouth, MA]

Assistant Museum Preparator [Currier Museum of Art- Manchester, NH]

Director of Collections and Exhibitions [The Olana Partnership- Hudson, NY]

Visitor Services Manager [National September 11 Memorial and Museum- NY, NY]

Teaching Artist and Museum Educator [Queens Museum- NY, NY]

Museum Specialist [Roger Williams Park Museum- Providence, RI]

Mid-Atlantic

Director of Inclusion [AAM- Arlington, VA]

Registrar [Biggs Museum of American Art- Dover, DE]

 

Southeast

Public and Digital History Asst. Professor [Clemson University- Clemson, SC]

Exhibit Manager [Morehead Planetarium and Science Center- Chapel Hill, NC]

 

Midwest

Public Scholar of Museums and Learning [Indiana University- Indianapolis, IN]

Guide Program Manager [Crystal Bridges- Bentonville, AR]

 

West

Museum Registrar [The Museum of Indian Arts and Culture- Santa Fe, NM]

Curator of Education [Idaho State Historical Society- Boise, ID]

Assistant Registrar [Santa Barbara Museum of Art- Santa Barbara, CA]

Exhibits Preparator [Natural History Museum of Utah- Salt Lake City, UT]

Associate Curator of Modern and Contemporary Art [The San Diego Museum of Art- San Diego, CA]

Historic Site Specialist [Heart Mountain Interpretive Center- Powell, WY]

NAGPRA Assistant [Autry Museum of the American West- Los Angeles, CA]