Museum Studies at Tufts University

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Tragedy Strikes in the Lunar New Year

With the Lunar New Year ringing in just yesterday, it is a tragedy that the Museum of Chinese in America in Manhattan lost most of its collection in a fire the day before what should have been a celebration. The archive caught fire not far from the actual museum, and the 85,000-piece collection was likely completely destroyed, whether from fire or water damage. Any pieces that did survive are inaccessible at this time due to building damage. There was one man critically injured and several firefighters with minor injuries, but no deaths reported. There is no criminal activity linked to the fire, and the case is being investigated.

The building itself is historic, having once been used as a public school for immigrant children. The collection included donated items like family albums, clothing, newspapers and other artifacts owned by immigrants. Their loss in the fire is irreparable. The good news is that 35,000 documents had been digitized prior to the fire, and some of the collection is safe because it is on display at the museum.

This museum and its community are mourning the loss of the precious collection. They did have some digital copies of documents, and storage was separate from the museum; however, the damage is done to the collection and to the trust of those who lent their property to the museum.

To prevent such catastrophes, museums should start with the basics: having an emergency/disaster-preparedness plan. Museums and archives alike should assess their collection and its housing for risks to human and collection safety. Also, for collections housed in historic buildings, there needs to be a balance between preservation needs of the structure and mitigating risk to people and the collection. Sometimes that balance calls into question the use of an automated fire suppression system. Hopefully, as more news about this horrific event is revealed, the museum will stay transparent about its prevention measures and how it will be able to improve in the future.

Jobs Round-up

Northeast:

Director of Donor and Member Engagement (Longwood Gardens, Kennett Square, PA)

Curator, African Art (Brooklyn Museum, Brooklyn, NY)

Gallery Registrar (Alexander Gray Associates, New York, NY)

South:

Membership Manager (Country Music Hall of Fame and Museum, Nashville, TN)

Exhibition Designer (High Museum of Art, Atlanta, GA)

Midwest:

Registrar (Art Bridges, Bentonville, AR)

Curator of Clothing and Textiles (Missouri Historical Society, St. Louis)

Curator of Anthropology–Dickson Mounds (Illinois State Museum, Lewiston, IL)

Associate Curator of Exhibitions (Museum of Danish America, Elk Horn, Iowa)

Mid-Atlantic:

Fine Arts Program Collections Assistant (Federal Reserve Board, Washington, D.C.)

Public Programs Coordinator (Thomas Jefferson Foundation, Charlottesville, VA)

West:

Rights Coordinator (Getty Publications, Los Angeles, CA)

Exhibit Fabricator (Ideum, Corrales, NM)

Jobs Round-up!

 Here are the jobs for the week of January 12th. Happy hunting! 

Northeast: 

Executive Director (Royall House & Slave Quarters, Medford, MA) 

Group Outreach Coordinator (Zoo New England, Boston, MA) 

Freedom Trail Office Coordinator (Freedom Trail Foundation, Boston, MA) 

Collections Photographer (Northeast Document Conservation Center, Andover, MA) 

 Project Assistant for the Summer Institute for Technical Studies (Harvard Art Museums, Cambridge, MA) 

Seasonal Assistant Education Manager – Edgartown (The Trustees of Reservations, Martha’s Vineyard, MA) 

Director of Digital Marketing – Boston (The Trustees of Reservations, Boston, MA) 

Gift Shop Supervisor (Old North Church & Historic Site, Boston, MA) 

Education Assistant, Studio Programs (The Institute of Contemporary Art, Boston, MA) 

 

 South: 

Director of Digital Programming (The National WWII Museum, New Orleans, LA) 

Curator (San Jacinto Museum of History, Harris County, TX) 

SEMC Executive Director (Southeastern Museums Conference, Atlanta, GA) 

Associate Director (NC African American Heritage Commission, Raleigh, NC) 

 

Midwest: 

Director of Development (Smart Museum of Art at the University of Chicago, Chicago, IL) 

Shop Manager (Illinois State Museum, Springfield, IL) 

Museum and Library Specialist (Wood Library-Museum of Anesthesiology (WLM), Schaumburg, IL) 

Operations Manager (Ellwood House Association, DeKalb, IL) 

Executive Director (Ephraim Historical Foundation, Ephraim, WI) 

Chief Program Officer (Wisconsin Historical Society, Madison, WI) 

Director of Education (Missouri Historical Society, St. Louis, MO) 

Museum Director (Johnson County Museum, Overland Park, KS) 

 

Mid-Atlantic: 

Administrator (Association of Art Museum Curators, New York, NY) 

Director of Education & Public Programs (The Olana Partnership, Hudson, NY) 

 

West: 

Senior Museum Technician (Santa Barbara Museum of Art, Santa Barbara, CA) 

Senior Philanthropy Office (San Jose Museum of Art, San Jose, CA) 

Museum Executive Director (Yellowstone Gateway Museum, Livingston, MT) 

Executive Director (World of Speed Motorsports Museum, Portland, OR) 

Exhibit Designer (Oregon Historical Society, Portland, OR) 

Registrar (Idaho State Historical Society, Boise, ID) 

Assistant Curator (The Brinton Museum, Big Horn, WY) 

Museum Coordinator (City and County of Broomfield, Broomfield, CO) 

A Few Events to Brighten Your Winter

John Singleton Copley, Paul Revere, 1768, Oil on canvas, Gift of Joseph W. Revere, William B. Revere and Edward H. R. Revere, Museum of Fine Arts, Boston, 30.781, photograph © 2019 Museum of Fine Arts, Boston

Despite the fact that the cold of New England lifted this past weekend, we’ve already returned to the more realistic January weather. Unfortunately, this is the time of year that most museums and historic sites start to see a big drop in numbers. The holiday season is over and with little visitation, some institutions need to close for the season or at least cut back on hours. However, there is some light at the end of the tunnel with these dreary days. Here are some exciting things happening in the area in the next few weeks: 

  • The Institute of Contemporary Art:  
    • Tschabalala Self: Out of Body is an upcoming art exhibition that will open on January 20th. This is Tschabalala’s biggest exhibition yet, featuring her “large-scale figurative paintings” that mesh a variety of techniques.  
    • Beyond Midnight: Paul Revere was organized by the American Antiquarian Society, and it goes into detail about the life of Paul Revere beyond just the famous ride he is known for. The exhibition will be split between the both museums listed here. It opens at the Concord Museum on February 14th and at the Worcester Art Museum on February 15th 
  • Museum of Science 
    • Dogs! A Science Tail opens on February 9thVisitors can investigate why humans and dogs have such a close bond and what it’s like to be in the life of a dog through hands-on activities 
  • In honor of Martin Luther King Jr. Day (Monday, January 20th), several Boston cultural institutions are offering free admission. They include: 
    • The Museum of Fine Arts, Boston 
    • Isabella Stewart Gardner Museum 
    • Zoo New England 
    • The Institute of Contemporary Art 

Building belonging at the MFA with free memberships

When I went to the MFA Boston Hanukkah party this past Wednesday, I wasn’t expecting to walk away with a free membership.

I have an MFA membership now. Go figure.

I didn’t complete a scavenger hunt for the privilege or win any sort of raffle. As it turns out, the MFA is launching a free first-year membership program in celebration of the 150th anniversary of its founding. The only way to enroll is onsite at 14 cultural and Late Nite events held throughout 2020, so it looks like I got lucky with an early opportunity.

Just by the numbers, giving out free memberships is a huge move – even for only one year. An entry-level Supporter membership can cost $75-$114 for one person. Multiply that by one or two hundred visitors (conservatively) signing up at each of the 14 events and you have a six-figure sum that the MFA could theoretically make otherwise. Why is the MFA undertaking such a colossal initiative when even the The Met’s 150-year celebration will comprise mostly a few events and exhibitions?

I wonder if the free first-year memberships were thought of before or after the school group incident in May. In short, a class of seventh graders reported being targeted by racist speech from MFA staff and visitors and racial profiling by security. The MFA was criticized for its handling of the report and communication in the days afterwards; even Massachusetts Attorney General Maura Healey opened an investigation into the event. In (ongoing) response, the MFA began a “Toward a More Inclusive MFA” initiative involving staff and volunteer trainings, community roundtables, new executive positions dedicated to inclusion and working with the community, and other endeavors.

Reading over the 150th anniversary press release again, it looks like the bulk of the related celebrations will champion diversity and inclusion. The release mentions “community” 16 times, “diversity” 4 times, and “inclusion” 3 times. The focus on community does relate to the strategic plan released in 2017, but I suspect the MFA is also still trying to make up for the events in May and move forward.

The MFA has been working hard to position itself as a place of belonging for the community – something many museums grapple with. We know free admission doesn’t bring in new or more diverse members on its own; however, the slate of cultural events with free admission planned for 2020, including celebrations for Nowruz, Juneteenth, and an ASL night, may attract such a crowd. By providing free first-year memberships at these events, the MFA incentivizes return visits by audience segments it desperately seeks to connect with. In theory, this will give the Museum more opportunities to build and rebuild relationships with the community.

I haven’t heard of other museums offering free memberships like this, so I’m curious to see how the next year unfolds for the MFA. What do you think of the plan – will you be going to get your free membership?

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