Museum Studies at Tufts University

Exploring ideas and engaging in conversation

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Weekly Jobs Round-Up

Quite a few internships posted among the jobs this week. Happy hunting!

Northeast:

Native Plant Horticulture Internship / Native Plant Trust (Framingham, MA)
Curatorial Intern / Concord Museum (Concord, MA)
Program Coordinator, Research & Academic Program / The Clark Art Institute (Williamstown, MA)
Executive Coordinator, Director’s Office / The Clark Art Institute (Williamstown, MA)
Spring Education Intern / EcoTarium (Worcester, MA)
Events Coordinator / Hancock Shaker Village (Pittsfield, MA)
Farm Camp Educators / Berkshire Botanical Garden (Stockbridge, MA)
Marketing & Design Internship / Fitchburg Art Museum (Fitchburg, MA)
Development Communications and Operations Manager / Heritage Museums & Gardens (Sandwich, MA)
Stage Tech/Performing Arts Production Intern / MASS MoCA (North Adams, MA)
Early Childhood Education Specialist / Berkshire Museum (Pittsfield, MA)
Senior Project Manager, Buildings and Structures / The Trustees of Reservations (Boston, MA)
Associate Director of Development Operations – Boston / The Trustees of Reservations (Boston, MA)
Information Technology Support Assistant – Intern / Mass Audobon (Lincoln, MA)
Curator of Russian and European Art / Amherst College (Amherst, MA)
Fellowship Program Project Manager / Yale University (New Haven, CT)
The Dangremond Museum Studies Internship / Connecticut Historical Society Museum & Library (Hartford, CT)
Curator / Bowdoin College (Brunswick, ME)

Mid-Atlantic:

Associate Development Officer for Foundation and Government Giving, Developent / Metropolitan Museum of Art (New York, NY)
Registrar/Collections Database Manager / Hagley Museum and Library (Wilmington, DE)
Executive Director / Teiger Foundation (New York, NY)
Chief Preparator / Palmer Museum of Art, Penn State (University Park, PA)
Andrew W. Mellon Post-Doctoral Curatorial Fellowships / Philadelphia Museum of Art (Philadelphia, PA)
Exhibitions Coordinator / The Phillips Collection (Washington, D.C.)
Executive Director / Schwenkfelder Library & Heritage Center (Pennsburg, PA)
Associate Director of Visitor Experience / Ford’s Theatre Society (Washington, D.C.)
Outreach Scientist / Space Telescope Science Institute (Baltimore, MD)
Departmental Technician, AAOA / Metropolitan Museum of Art (New York, NY)
Belle da Costa Green Curatorial Fellowships / The Morgan Library & Museum (New York, NY)
Guest Experience Internship / Mt. Cuba Center (Hockessin, DE)
Executive Director / Museum of Fine Arts – Washington County (Hagerstown, MD)
Chief Conservator/ Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (Washington, D.C.)
Education Manager / Historic Hudson Valley (Sleepy Hollow, NY)
Major Gift Officer, Intermittent / Smithsonian Institution, Office of Advancement (Washington, D.C.)
Chief of Staff / The Jewish Museum (New York, NY)
Senior Exhibition Manager / International Arts & Artists (Washington, D.C.)
Security Operations Manager / The Phillips Collection (Washington, D.C.)
Museum Director / Dumbarton Oaks Research Library and Collection (Washington, D.C.)

Southeast:

Director, Bo Bartlett Center / Columbus State University (Columbus, GA)
Director of Finance and Administration / Gibbes Museum of Art (Charleston, SC)
Director of Marketing & Sales / Jacksonville Zoo and Gardens (Jacksonville, FL)

Midwest:

Head of Paper Conservation / Art Institute of Chicago (Chicago, IL)
Executive Director / Stuhr Museum of the Prairie Pioneer (Grand Island, NE)
Andrew W. Mellon Visual Arts Curatorial Assistant / National Museum of Mexican Art (Chicago, IL)
Andrew W. Mellon Permanent Collection Curatorial Assistant / National Museum of Mexican Art (Chicago, IL)
Historic Agriculture Specialist / Wood County Park District (Bowling Green, OH)
Exhibit Fabricator/Carpenter / The Children’s Museum of Indianapolis (Indianapolis, IN)
Humanities Curator / Mid-America Arts Alliance (Kansas City, MO)
Collections Manager/Registrar / Grinnell College Museum of Art (Grinnell, IA)
Interpretive Planner / The Cleveland Museum of Art (Cleveland, OH)
Curator of Art and Social Practice / Obama Foundation (Chicago, IL)

South Central:

Vice President of Development / Witte Museum (San Antonio, TX)
Registrar / Art Bridges (Bentonville, AR)
Protection Services Manager / Crystal Bridges Museum of American Art (Bentonville, AR)
Individual Giving Manager / Scott Family Amazeum (Bentonville, AR)
Manager of Interpretive Planning / Houston Zoo (Houston, TX)
Director of Digital Programming / The National WWII Museum (New Orleans, LA)
Travel Exhibitions Manager / Art Bridges Foundation (Bentonville, AR)
Director of Development / Clinton Presidential Center (Little Rock, AR)

West:

Sybil Harrington Director and CEO / Phoenix Art Museum (Phoenix, AZ)
Director of Individual and Major Giving / Fine Arts Museums of San Francisco (San Francisco, CA)
Institutional Partnership Associate / Asian Art Museum (San Francisco, CA)
Curatorial Internship and Education Internship / National Museum of Wildlife Art (Jackson, WY)
Director of Exhibition Design / Monterey Bay Aquarium (Monterey, CA)
School Programs Coordinator / The J Paul Getty Trust (Los Angeles, CA)
Associate Registrar, Exhibitions / Los Angeles County Museum of Art (Los Angeles, CA)
Exhibit Director / Oregon Historical Society (Portland, OR)

Weekly Jobs Roundup

West:

Interpretation Manager (Filoli Center, Woodside, CA)

Education Specialist (Agua Caliente Cultural Museum, Palm Springs, CA)

Public Programs Coordinator (Agua Caliente Cultural Museum, Palm Springs, CA)

Curator Exhibitions (Academy Museum of Motion Pictures, Los Angeles, CA)

Midwest:

Curator (Sioux City Art Center, Sioux City, IA)

Northeast:

Visitor Services Associate (Sterling and Francine Clark Art institute, Williamstown, MA)

Senior Manager, Production and Venue Operations, Education (Metropolitan Museum of Art, New York, New York)

Education and Youth Program Manager (The Preservation Society of Newport County, Newport, Rhode Island)

Mid-Atlantic :

Supervisory Visual Information Specialist (Smithsonian Exhibits, Landover, MD)

Advancement Assistant (Smithsonian Science and Education Center, Washington, D.C.)

South:

Associate Registrar (Perez Art Museum, Miami, FL)

Visitor Services Manager (Sarasota Art Museum, Sarasota, FL)

KHS Curator (Kentucky Historical Society, Frankfort, KY)

Phones in Museums

Oh, Bette Midler, I know your heart was in a good place with that tweet. For those who have other things to do besides read through hundreds of internet comments, then the scoop is this: Actress and singer Bette Midler, our beloved Hocus Pocus star, tweeted a picture of three tweens on their phones at an art museum. The caption read, “What’s wrong with this picture?” 

The point she is trying to make is many-fold, and there’s no denying that it is a generational judgement call. Younger generations are widely considered obsessive when it comes to technology, particularly when it comes to being on our phones. Honestly, for a lot of us Millennials and Gen Z’s, this tweet is reminiscent of a high school teacher yelling at the class to put their phones away. I think that trauma is why so many people got up in arms about it last week.

Several comments noted that museums have interactive apps that educate visitors about art pieces. Or those young people could be googling their own searches about the artists. Or, like we all do, they are just simply taking a mental break and checking their messages. Nothing is inherently wrong with the picture. People learn in a myriad of ways, and phones are engaging tools that everyone has, so it comes at no extra cost to the museum. Phones should be out to enjoy as we please—though keep the flash off when taking a picture (which I still forget to check, and sometimes accidently do, and it’s far more embarrassing than it needs to be). 

The Louvre has an app that gives close up looks details and information about some of their art. The British Museum has a similar app that also provides audio commentary and tours. The Uffizi Gallery in Florence has an app with virtual tours. The MoMA’s app provides visual descriptions for visitors with sight impairments. The Smithsonian has a myriad of apps to engage with in museums and in the natural world to learn more about our surroundings.

Please leave a comment about what your opinion is about phones in museums. Also, if you know of an app that I did not mention, please note it.

Tips for the Burned Out Museum Professional

Hopefully, everyone had a relaxing holiday weekend! This week I’m tying in some ideas that I’ve been mulling over since the 101st NEMA conference. The theme was “What’s in it for Me?” and the answer isn’t always clear in our field that has low pay, large workloads, and understandably, a high burnout rate. But hopefully, some of the tips below will be of some use to you: 

  • Objects – What made you join this field? What part of museums drew you in? For many people I’ve talked to, the objects were the key factor that pulled them to museum work. Whether it was an old teapot or an abstract painting, our connection with the “stuff” is what drew us in. While at the NEMA conference, I had the pleasure of attending a session run by Rainey Tisdale and Marieke Van Damme, where we focused on the pieces of joy that could be added to museum work (if you want to look further into this, definitely check out Joyful Museums). One of their suggestions that caught me off guard was the ability to have access to the collection. It’s simple, and yet, I had never realized that I felt detached from the objects that I work around every day. I can imagine that that feeling is increased when one works in a position that doesn’t visit the galleries on a daily basis. Tisdale and Van Damme suggested ready-only access to the collections database for all employees as a possible solution. To take that idea a little further, museums could even host a close-looking activity once a month. Allow all staff members to vote on which object they want to see up-close and then pull it out of storage for everyone to see. This is a cheap and fun activity that is likely to remind staff members why they entered the field to begin with.  
  • “Protecting your ‘yeses’” – Honestly, this is a tip that I got from an inspirational planner last year, and I pretty much haven’t stopped thinking about it since. It’s become a mantra of sorts because I hate saying no to people and always want to prove myself as a capable coworker, employee, and emerging professional. However, overworking myself is not the answer. I think this is a common problem in a field where there is rarely money to hire enough people, the workforce is mostly women, and the employees are passionate about what they do. However, viewing my “yeses” as a thing that I am giving to people has helped me to scale back my workload a bit. Of course, there are always instances where its crunch time, and there’s no option except to work through my exhaustion. But the mindset that you are saving your ‘yeses’ for a few projects or events that you’re really passionate about rather than having a hand in a bit of everything can save you from that guilty feeling of not doing enough. 
  • Identify your needs – This one might seem a bit obvious, but at the Education Professional Affinity Group (PAG) lunch, we did an activity that involved writing down your needs as an employee, a coworker, a museum professional, and an individual. Often, I complain that I don’t have enough of a work/life/school balance but putting my needs into such defined categories was helpful to understand where my problems lie. Of course, sometimes our needs transcend categories and that’s okay too but being able to see where my needs as a coworker differ from my needs as an employee is a great way to sort through what my goals are and how to ask for them.  

There are so many more ways to handle burnout! If you’re looking to do your own research on it, AAM published a blog post in 2017 about why museum professionals are Leaving the Field. One of the best ways to prevent burnout across the field is by sharing tips and strategies that have worked for you! So, we want to know: what ways have you prevented or improved symptoms of burnout?  

Weekly Jobs Roundup

Happy hunting! 

South: 

Curator (San Jacinto Museum of History, Harris County, Texas) 

Digital Content Strategist (Amon Carter Museum of American Art, Fort Worth, TX) 

Assistant Curator (Telfair Museums, Savannah, GA) 

Museum Diversity Fellow – Museum Education (Reynolds House Museum of American Art, Winston Salem, NC) 

Deputy Director (Kentucky Historical Society, Frankfort, KY) 

Director of Education and Public Programs (Oklahoma Contemporary Arts Center, Oklahoma City, OK) 

Midwest: 

Operations Director (The Rabbit Hole, North Kansas City, MO) 

Director of Learning and Engagement (Contemporary Art Museum St. Louis, MO) 

Manager, Digital Media (The Nelson-Atkins Museum of Art, Kansas City, MO) 

Deputy Director (Carl & Marilyn Thoma Art Foundation, Chicago, IL) 

Advancement Director (Illinois State Museum, Springfield, IL) 

Volunteer and Outreach Coordinator (McHenry County Historical Society, Union, IL) 

Registrar (Ulrich Museum of Art Wichita State University, Witchita, KS) 

Docent and School Programs Manager (The Toledo Museum of Art, Toledo, OH) 

Interpretive Planner (The Cleveland Museum of Art, Cleveland, OH) 

Public Education Fellow (History Museum at the Castle, Appleton, WI) 

Mid-Atlantic: 

Curator of Digital Projects (Smithsonian’s Arts + Industries Building, Washington, DC) 

Adult & Family Programs Coordinator (National Law Enforcement Museum, Washington, DC) 

Curator (National Law Enforcement Museum, Washington, DC) 

Library Collections Curator (Virginia Museum of History & Culture, Richmond, VA) 

President and CEO (Science History Institute, Philadelphia, PA) 

Executive Director (Schwenkfelder Library & Heritage Center, Pennsburg, PA) 

Executive Director (Sewickley Valley Historical Society, Sewickley, PA) 

Executive Director (Roebling Museum, Roebling, NJ) 

Museum/Historic Site Interpreter (Delaware Division of Historical and Cultural Affairs, New Castle, DE) 

Northeast: 

James Nachtwey Archive Fellow (Hood Museum of Art, Dartmouth, Hanover, NH) 

Assistant/Associate Curator of Education (Williams College, Williamstown, MA) 

Museum Development Director (Somerville Museum, Somerville, MA) 

Gift Shop Supervisor (Old North Church & Historic Site, Boston, MA) 

Director of Recreational Enterprises (The Trustees of Reservations, Boston, MA) 

Director of Development (The Bostonian Society, Boston, MA) 

Executive Director (Webb-Deane-Stevens Museum, Wethersfield, CT) 

Head of Design (Metropolitan Museum of Art, New York, NY) 

Registrar and Collections Manager (Vassar College, Poughkeepsie, NY) 

Assistant Curator of Exhibitions and Programs (Katonah Museum of Art, Katonah, NY) 

West: 

Curator of Contemporary Art (Colorado Springs Fine Arts Center at Colorado College, Colorado Springs, CO) 

Curator (US Olympic & Paralympic Museum, Colorado Springs, CO) 

 Education Specialist (Idaho State Historical Society, Boise, ID) 

Director of Development (Tacoma Art Museum, Tacoma, WA) 

Development Officer (The Getty, Los Angeles, CA) 

Volunteer Manager (Oakland Museum of California, Oakland, CA) 

Head of Conservation (Asian Art Museum, San Francisco, CA) 

Senior Membership Coordinator (The Walt Disney Family Museum, San Francisco, CA) 

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