The Harvard Art Museums’ Department of Collections Management is accepting applications for an Intern to assist with research and records projects in the Registrar’s Office. This internship will provide an introduction to the practical aspect of managing fine art collections in a major museum and …
Curatorial Interns at deCordova engage in a wide variety of tasks and responsibilities as they participate in the day-to-day operations of a contemporary art museum and sculpture park. Interns work closely with staff curators and the registrar, and help with exhibition preparations, update collection files, …
Today’s What We’re Reading post comes to you from Angela Foss, Program Administrator for the Museum Studies program and the Graduate School of Arts and Sciences here at Tufts.
An NPR article titled “African-American Museum Cafe Serves Up Black History With Every Forkful” details how the new National Museum of African American History and Culture in Washington, DC includes a cafe that serves up traditional African-American cuisines from four regions of the US: the North States, Western Range, Agriculture South and Creole Coast. “The idea is to expand people’s understanding of just how much African-Americans have contributed to our nation’s culinary heritage, says Joanne Hyppolite, curator for the cultural expressions exhibits that feature foodways, culture and cuisine.” But the cafe doesn’t just offer soul food. It offers items that visitors may never have heard of or tasted before in an effort to further educate visitors on African-American life and cuisine. In this way, the museum has created an immersive experience to expand the visit and include a new form of sensory education: taste.
What do you think of this initiative, and how do you think it could be translated to other museums? Should it be utilized all the time, or just for special exhibitions? Share your thoughts in the comments below!
In the wake of this year’s presidential election, the 2016 New England Museum Association Conference was “the best cure for a political hangover,” as NEMA Executive Director Dan Yaeger put it. This year’s theme, “Plug In: Museums and Social Action,” seemed even more pertinent than …
Museum Studies Open House Tuesday, November 15, 2016 6:30-8:00 pm Chase Center, Medford Campus Register by email: Angela Foss Want to learn more about the masters of art and certificate programs in Museum Studies at Tufts University? Register for our open house! This flexible program …
In a blog post titled “The Weird Complicated Sexist History of Pockets,” Rachel Lubitz says that a lack of enough space to hold objects is something women have suffered through for hundreds of years. She finishes with the question “how much longer must we suffer?” While her position seems slightly exaggerated, she makes an important point. Clothing is essential to self-expression and societal understandings. Frequently, clothing can cause people to make judgments about what you value, your gender identity, and what your societal class is. However, the author’s blog fails to acknowledge how pockets and bags contain what we believe we cannot live without. Attachment to these objects, and the importance of pockets that hold them has not changed much in over two hundred years. A pocket that rests behind glass at the Massachusetts Historical Society, confirms this phenomenon.
This particular pocket, though it represents a broad and common need, is believed to have rested on the hips of Abigail Adams, abolitionist, women’s right advocate, and wife of John Adams. Pockets in general, and this one in particular, were not expensive or glamorous objects. Most however, that have survived the last two hundred years are often hand embroidered and decorated. This pocket is a much better representation of what ladies usually wore. It speaks volumes about Abigail Adams but it is also worth study because of what it says about the human and female condition. An analysis of how it was worn and used reveals the natural human attachment to objects.
Women in the 18th century had few rights to property no matter their social class. As such, pockets represented an opportunity to keep personal property close by. Much as people do today, Abigail Adams kept her keys in her tie-on pocket. For 18th century women, keys were indeed important to their status. Having keys close by would be a definitive source of emotional security. Pockets also held personal money. Pockets were valuable on their own, but mostly their value lay in what they contained. In addition to money and keys, women kept jewelry, mirrors, combs, personal letters, and even food in their tie-on pockets.
Pocket believed to have belonged to Abigail Adams at the Massachusetts Historical Society.
Much of what we carry with us today has only changed slightly since the 18th century. Money and keys dominate listings of what women carried in the pockets tied around their waist. These items ring true to our own pockets and handbags. Car keys, train passes, money, and cellular phones reflect a need to be mobile and communicate at will. House keys, membership cards, calendars, snacks, and bottled water help us make it through our day safely and securely. The concept of objects close at hand has permeated the lives of women and men for hundreds of years and continues to do so.
Pockets and what they contain are important evidence for what we value. Practicality has often surrendered to fashion when women’s clothing designs were not built for practical space. Historians reference pockets and how a lack of them in women’s clothing reflects a subtle sexism. Women are not supposed to need money and “things” in the same way men do. This 18th century pocket does show however, that women did need objects and personal items close at hand. Even the purposes of these items have not changed much at all even as society has shifted. Letters to cellular phones, oranges to granola bars, and pantry keys to car keys are not so different when placed side by side. Abigail Adams’s pocket was saved because it was associated with an important person. The object itself however reflects heavily the human, and female, condition.