Owning Happiness

By Becca, Tufts 1+4 Participant

It’s my last night in Brazil and I’m….happy? I set aside time tonight to write something profound. A pontification on life’s beginnings and ends, a graceful foray through my best memories in Brazil, and the things I’ll miss most of all, hammering the keys as tears stream down my face. And yet it’s here and I’m just… happy. There’s no question in my mind, I don’t want to leave, the last 8 months have been the best of my life and I very firmly believe that if I were to stay longer, my personal growth and happiness would only continue to develop. But alas, faz parte. That’s life. I’ve had an incredible experience here, and I can genuinely say that I regret nothing. I went through cycles over the last few days and weeks emotionally. Most of the time I was incredibly happy. Then something would happen, I’d realize it was the last time I’d ever do, see, feel that thing, and I’d be sad for a moment, maybe two. Then I’d lift my head, and realize there were 300 other things to turn my attention to, and my sadness passed quickly. I’ve thought a lot about why that is. My life in Brasil really has been my best life. The idea that any component of that is sealed away into a thing of the past is sad for me, because I’ve been so intensely enjoying the present. But at the same time, I’m immensely and authentically grateful for every bit of happiness I’ve experienced, because I viewed absolutely none of it as given. I had no expectations up until just a couple months before, that any part of this year would happen, certainly not in the way that it’s happening, and I was happy with where my life was at before. With zero expectations and zero sense that I deserved my happiness, every good thing that has happened to me has just been icing on the cake. That, and I really do feel like I did this year right.

I’ve formed meaningful relationships with people from all 5 major continents. I befriended a churro man with a startup, and a Chilean woman who aligned my chakras to ‘life’s tunes’. I made my own drum, performed in Carnaval. I went to Serra do Tabuleiro, Garopaba, Curitiba, São Paulo, Rio de Janeiro, Salvador, Florianópolis. I went paddle boarding and surfing. I saw a penguin, cheered on a turtle, chased puppies. I climbed a tree and fell out of that tree. I reveled in the banal, and scoffed off the profound. I chased after many buses and missed many buses. I missed a flight. I had an entire airport conspire against me. Twice. I hitchhiked with a woman on her second day back from living in Kenya, and took an uber with a Palestinian man married to a Brazilian Jew. I collected pounds of trash, made paper, re-imagined my concept of waste. I contemplated the meaning of purpose, and the purpose of meaning. I had my phone stolen, then a month later got it back. I learned Portuguese, sucked at Portuguese, and absolutely slayed at Portuguese. I reveled daily in the wonder of language learning. I conducted interviews, and made a documentary. I protested and debated, and way more importantly, I listened a lot. I cooked pão de queijo and nega maluca and really awful beans and rice. I let other people cook me beans and rice and ate enough to last a lifetime. I developed addictions to açaí, Guarana, and paçoca. I drank way too much coffee and escaped a caffeine addiction. I did an obscene amount of paper machê. I gave speeches, and attended lectures. I went to bars and just talked for hours. I took long walks on the beach, and long walks through the city. I sat watching lightning until 3am. I swam in a thunderstorm, danced in the rain, danced Samba and Forró, danced and fought and played Capoeira. I fell in love. I cried, I laughed until it hurt, caught my breath, and laughed some more. I’ve learned and grown, and struggled and triumphed, and I don’t know if its just gap year cliches or if there’s some greater meaning, but this was my life, my real life, and I owned it. So yes. It’s my last night in Brazil. And I’m happy.

Wet Paint

by Laura, Tufts 1+4 Participant

I was settling into painting an environmental mural in the warehouse on the botanical gardens of Floripa when the percussive introduction of a very specific song began to ring out of my phone’s tiny speaker. “Magalenha” by Sergio Mendes. I don’t have many songs downloaded in my phone, but this one made the cut.

I love painting because it completely focuses one of your senses while letting the others run free. My mind performs cartwheels while balancing technical and spatial skills with creativity and color, and somehow as I zoom in and out from the tiny details to the whole image, the process helps me do the same in my unrelated reflections. I have had a rocky relationship with my art this year. Removed from my easy access to materials and studio space, I have been unreasonably frustrated with my dimly lit room. Away from other art students, my motivation to produce has ebbed and flowed. The small scale museum at my apprenticeship has been a tantalizing but largely unavailable temptation. So when, after a month of pushing through city council bureaucracy, I had my proposition for an environmental consciousness mural approved, I had mixed feelings. This mural is 3×2.4m. I am, well, very, very far off either of those heights. And I had to be realistic with myself; I had not painted anything on a significant scale since my A Level art exam, which is almost a year ago now. Do the basics, don’t aim for anything too complicated, I told myself. This isn’t some piece of work that will sit under all the other paintings in your room, some people are going to have to see this every single day, I reminded myself. But at the same time, the prospect of having a brush in my hand, buckets of paint around my feet, and a blank space to cover still sparked my imagination.

I proposed a couple of wild ideas to my boss – a portal from a polluted city to a jungle, an entire landscape made out of bottle tops – I should probably thank her for either not understanding these concepts or not understanding my Portuguese. Eventually we decided to tackle the most important issue for the seafront location of the mural: plastic waste. A trip to the island’s turtle rehabilitation center, many meetings with various departments of the city council, and one or two logistical nightmares later, I finally stood in front of my two metal panels, primed, background dry, and outlines drawn on. After about an hour, I realized none of the other workers were using the warehouse that day, so I leaned over my materials to press play on the limited music collection downloaded on my phone.

“Magalenha” by Sergio Mendes. You would assume this was part of the music which I have grown to love while in Brazil. The less embarrassing thing for me to do would be to let you believe that. The truth is that in 2016 Danny Mac and Oti Mabuse did a samba to this song on Strictly Come Dancing. I always knew I wanted to take a gap year, but I think it would be naive of me to diminish the weight that this dance had in my trajectory towards Brazil. I fell in love with Latin dance when I began to watch Strictly, and this samba was what set my goal in stone: I was going to learn to samba and I was going to go where I needed to be to do that.

The percussive introduction cut the still air of the warehouse as the phone speaker crackled. I stepped back from my painting. The bigger picture was beginning to come together. I could see the reflections and shadows of the plastic bottle, revealing its form, and the water splashes framed an empty space where a turtle would hopefully be tomorrow. The bigger picture was beginning to come together in my head too. I thought back to the version of myself that watched that samba in awe. Then, I couldn’t understand the lyrics, but I can now. Then, I couldn’t follow the lightning quick samba steps, but I can now. I had a lot of dreams and stereotypes of a continent across an ocean, and now I am standing on that soil, surrounded by the reality of this country. The number of days which I have left in which I can say that is numbered now. 17 to be precise. That’s difficult to come to terms with, grappling with whether I’ve achieved my goals or not, figuring out how to spend my last free days, unsuccessfully trying to create a sense of premature closure. But when I’m painting, as I stand nose to panel for the details, and run to the other side of the room to be able to see the whole image, my mind zooms in and out too. In, to every detail of my daily life here, out, to my personal growth. In, to specific conversations that have defined this experience, and out, to my changed attitudes towards the country I romanticized. And slowly, as the brush hits the surface again, stroke by stroke, things begin to make a little more sense.

I’m grinning now as I look down at my fingers, tapping the keys as this ramble comes to an end. They’re covered in blue paint, smell a little of açaí, and remind me of how I can feel at home anywhere in the world with a little paint, and maybe a little bit of dancing.