Here are the latest museum jobs on the boards. Happy hunting!
Author: Jennifer E. Sheppard (Page 2 of 5)
First, we’d like to start with a land acknowledgement for Tufts University that we are grateful to borrow from an article in the Tufts Daily:
Tufts University’s Medford campus is located on Wôpanâak (Wampanoag) and Massachusett traditional territory. Tufts’ Walnut Hill was once one of the hills in a slave-holding estate called Ten Hills Plantation. Both Africans and Native Americans were enslaved in the colony of Massachusetts, and trade in Native American and African laborers made Massachusetts a driving force in the Atlantic slave trade.
Op-Ed: Acknowledging our settler-colonial present, the Tufts Daily
Last year, in honor of Indigenous Peoples’ Day, Tufts Museum Studies Blog editor Danielle Bennett shared a list of articles covering efforts to decolonize museums around the world. This year, we’re sharing events happening at Boston-area museums, planned jointly with indigenous educators, artists, and leaders, that celebrate native history and culture.
Indigenous Peoples’ Day at the Museum of Fine Arts, Boston
Monday, October 14, 2019
10:00 am–5:00 pm
Features: free admission, special events
Enjoy free admission and special events at the MFA for Indigenous Peoples’ Day—and the Fenway Alliance’s 18th annual Opening Our Doors Day. Indigenous Peoples’ Day recognizes and celebrates the heritage of Native Americans and the histories of their nations and communities. Enjoy music and dance, take a tour of our Native North American Art Gallery and respond to our collection, and drop in on family art-making activities and artist demonstrations.
Co-created and presented in partnership with Akomawt Educational Initiative and Jonathan James-Perry, Tribal Citizen of the Aquinnah Wampanoag Nation.
Founded in 1870, the Museum of Fine Arts, Boston, stands on the historic homelands of the Massachusett people, a site which has long served as a place of meeting and exchange among different nations.
Cost: free with free admission
Indigenous Peoples’ Day: Abundant Voices at the Isabella Stewart Gardner Museum
Monday, October 14, 2019
10:00 am–4:00 pm
Also offered as part of The Fenway Alliance’s Opening Our Doors Day.
This Indigenous Peoples’ Day, the Gardner Museum is honored to collaborate with choreographer and Neighborhood Salon Luminary Marsha Parrilla of Danza Orgánica to present local Indigenous artists from the Massachusett, Nipmuc, Mashpee Wampanoag, and Aquinnah Wampanoag tribes.
The theme for the day is “Abundant Voices,” emphasizing the necessary perspectives and incredible work of these creative leaders. Enjoy hands-on art making, interactive performance, storytelling, a special performance from Gardner Museum Choreographers in Residence All Ready with local youth performers and more.
Explore additional hands-on activities and performances organized by The Fenway Alliance throughout the day across the street from the Gardner Museum in beautiful Evans Way Park.
Cost: free with free admission on a first-come, first-served basis
Native American Poets Playlist at the Peabody Museum of Archaeology and Ethnology
Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm
In a program marking Cambridge’s Indigenous People’s Day–celebrated as the federal holiday Columbus Day–eight Native American poets may be heard reading their work in the galleries. Enrich your museum visit by listening to an evocative recorded playlist of contemporary poems by Native American authors. Wander freely across the first-floor galleries to see where the poems take you and expand your understanding of Native arts and cultures. The poems, drawn from a powerful recent anthology, New Poets of Native Nations (edited by Heid E. Erdrich; Graywolf Press) celebrate Native poets first published in the twenty-first century. Hear the exhibits “come into voice” and experience the museum in a new way. Borrow a free audio player with regular museum admission.
Jointly sponsored with the Harvard University Native American Program and the Woodberry Poetry Room at Harvard University
Cost: free with regular admission
Indigenous People’s Weekend at Plimoth Plantation
Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm
Long before Europeans arrived, the Wampanoag people were living in this area known as Patuxet. Join us as we acknowledge the indigenous groups that have called this place home and celebrate their traditions through song, dance, and craft.
Cost: free with regular admission
Wampanoag Perspectives on Land: Acknowledging Indigenous Space at the Fruitlands Museumm
Monday, October 14, 2019
2:00–3:00 pm
Join Elizabeth James-Perry (Aquinnah Wampanoag) on Indigenous Peoples’ Day at Fruitlands Museum as she presents “Wampanoag Perspectives on the Land: Acknowledging Indigenous Space.” Elizabeth James-Perry (Aquinnah Wampanoag) is a multi-medium traditional and contemporary artist, with specialties in wampum shell carving and reviving natural dye techniques for her finger-woven sashes, bags, and baskets.
Cost: free with regular admission (space is limited – registration is requested)
Though the city of Boston and state of Massacusetts have yet to officially recognize Indigenous Peoples’ Day, we’re heartened to see that hasn’t stopped our cultural institutions. You can find other Boston-area happenings in this list from Cultural Survival. If you’re not in the Boston area, you can find Indigenous People’s Day events around the country in this list by Indian Country Today. Our guess (and hope) is that more museums near you may be celebrating and collaborating with indigenous voices tomorrow* – take a look for yourself!
*and next week, and next month, and next year, and so on – for many more days besides just tomorrow!
Here are the most recent job listings. Happy hunting!
Northeast
Mid-Atlantic
Southeast
South Central
Midwest
West
Hello friends and happy Monday! We have details of two events happening this week for museum professionals to share with you. One is happening tomorrow, Tuesday, October 1, and the other on Wednesday, October 2. Both events are FREE but do require advance registration.
Using Visual Thinking Strategies to Jumpstart Audience-Centered Learning
by the Greater Boston Museum Educators Roundtable
About:
Join us for a half-day workshop to consider VTS in a new light! Visitors today suffer from staccato looking: scrolling through Instagram, Facebook, and Snapchat, making instantaneous assumptions about what they see. In order to be responsible citizens in an increasingly global society (with more and more focus on visual culture), visitors of all types need to develop their visual literacy. Doing so increases their ability to assess images and information of all types, including artwork, maps, and primary vs. secondary sources. This level of deep thought and critical thinking informs understanding of our shared human history and fosters a respectful curiosity.
After participating in this workshop, educators will understand Visual Thinking Strategies as a methodology of facilitating conversations about artwork and its broad applications in museum and historic site settings. Participants will learn how to build observation and communication skills in their audiences, how to encourage the consideration of multiple perspectives, how to use images/objects thoughtfully in program planning, and how to improve facilitation skills when teaching. Through small group work and VTS discussions, teachers will walk away prepared to employ an exciting technique that will strengthen audience engagement and foster critical and creative thinking in your museum or historic site.
When:
Tuesday, October 1, 2019
1:00 PM – 5:00 PM EDT
Where:
Otis House Museum
141 Cambridge Street
Boston, MA 02114
Museum Careers Panel Discussion
by the Museum of Fine Arts, Boston
About:
Interested in learning about diverse professions in museums? Hear from a panel of MFA staff members in curatorial, education, exhibitions, conservation, marketing, public relations, and other departments as they discuss working in the museum world. Learn about their career paths, the challenges they encounter in their fields, and the opportunities they envision for the future of museum work. This event is free with Museum admission and open to all undergraduate and graduate students. Students attending institutions participating in the University Membership Program receive free Museum admission.
When:
Wednesday, October 2, 2019
6:00 p.m. – 8:00 p.m. EDT
Where:
Museum of Fine Arts, Boston
Barbara and Theodore Alfond Auditorium (Auditorium G36)
Avenue of the Arts
465 Huntington Avenue
Boston, Massachusetts 02115
We return to the question, “What is a museum?” this week but, instead of doodles by summer campers, we have the perspectives of the International Council of Museums community. A new museum definition was up for a vote at ICOM’s 25th General Conference in Kyoto, Japan this past weekend. The museum community polarized into two strongly for- and anti-new definition camps and, without a consensus, the Extraordinary General Assembly voted to… vote later.
The current ICOM museum definition, which has not changed much in decades and is likely familiar to most museum professionals, is as follows:
A museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.
Current definition from ICOM Statutes, adopted by the 22nd General Assembly on 24 August, 2007
The new definition, which split opinions worldwide, focuses less on the “what” and more on the “how” and “why” of museums. It references hot topics such as diversity, equity, accessibility, and inclusion, and pushes the idea of a museum ever closer to forum than temple:
Museums are democratising, inclusive and polyphonic spaces for critical dialogue about the pasts and the futures. Acknowledging and addressing the conflicts and challenges of the present, they hold artefacts and specimens in trust for society, safeguard diverse memories for future generations and guarantee equal rights and equal access to heritage for all people.
new alternative museum definition selected by the Executive Board of ICOM on July 2019
Museums are not for profit. They are participatory and transparent, and work in active partnership with and for diverse communities to collect, preserve, research, interpret, exhibit, and enhance understandings of the world, aiming to contribute to human dignity and social justice, global equality and planetary wellbeing.
I find my own opinions on this definition are split; I am drawn to the prioritizing of working with and for all people, but the ideas in it are disorganized. The editor in me wants something more concise! François Mairesse, a French professor and museum professional who resigned from the ICOM committee in charge of developing the new definition, shared a similar sentiment with The Art Newspaper, saying, “A definition is a simple and precise sentence characterizing an object, and this is not a definition but a statement of fashionable values, much too complicated and partly aberrant.” He went on to say that the new definition was exclusionary to existing museums who do not match or would have difficulty adapting to it, adding, “It would be disastrous to impose only one type of museum.”
For me, this second part of Mairesse’s argument has no legs. The practical difference between the current and new definitions is the exclusion of the word education and the inclusion of voices outside of museum staff and leadership. Words and phrases such as democratising [sic], polyphonic, participatory, and critical dialogue mark the strongest change in how a museum who adheres to the new definition might operate. The rest – basic ideas on collecting, conserving, researching, interpreting (and can’t interpretation include education, anyways?), and exhibiting objects and ideas that tell the story of humanity for humanity – remains the same, albeit with loftier goals of benefiting “planetary wellbeing.”
Is that not what we, the museum community, should be striving for? To continue our work with care and further engage the communities we serve – to share the responsibilities of authority, expertise, and meaning-making? Just because the undertaking may prove challenging for “traditional” museums (Mairesse cited the Louvre, for example), doesn’t mean it shouldn’t be done.
I am curious to see where the definition goes from here, as the vote postponement passed by the Extraordinary General Assembly means that ICOM will have another three years to refine a new definition before it comes up for a vote at the next General Conference. My hope is for something more succinct that keeps the participatory spirit. I expect the topic will be up for fresh debate in many Tufts Museum Studies courses (as well as in programs and institutions globally). What do you think, Tufts Museum Studies Blog readers, how should the definition change between now and 2022?
If you’d like some inspiration, or just a look at the ideas of others, ICOM collected 269 submissions for the Committee on Museum Definition, Prospects and Potentials (MDPP, 2017-2019) to reference as they were coming up with the new definition. Are there any that strike closest to what you think should guide the museums of today? We welcome your thoughts in the comments!
Recent Posts
- Museum Job Roundup 11/04/2024 November 4, 2024 Nick J. Nemeth
- On Museum Curation with Laurel V. McLaughlin October 21, 2024 Nick J. Nemeth
- Museum Job Roundup 10/21/2024 October 21, 2024 Samantha S. Snow
- Museum Job Roundup 10/14/2024 October 14, 2024 Nick J. Nemeth
- 10 Exhibits to Visit in Boston this October October 7, 2024 Samantha S. Snow