The 400th Year of What, Exactly?

The 400th Year of What, Exactly?

Next summer, the United States will mark a somber anniversary. In August of 1619, the first recorded group of African people destined for sale in the colonies arrived in Jamestown, Virginia. Although, as Michael Guasco argues at Smithsonian.com, the date is not as important as 

The Pillaging of Cultural Patrimony: Who Does Art Belong To?

The Pillaging of Cultural Patrimony: Who Does Art Belong To?

This week, the British Museum announced that it would return eight looted artifacts of antiquity to Iraq’s National Museum. These objects, including a 4,000 year old clay-fired cone inscribed in cuneiform, were illegally taken from the country following the US-led Iraq invasion in 2003. While thousands of priceless 

Rapid Response Exhibits

Rapid Response Exhibits

The International African American Museum, a museum planned to trace African-American history in America from slavery to today, has hired a rapid response educator to help create exhibits in response to current events. Brenda Tindal had previously done this work at the Levine Museum in 

Measuring a Museum’s Worth

Measuring a Museum’s Worth

Is it via attendance or admissions fees? The size of the collection or the amount of funding it receives? By almost any measure, the Philadelphia History Museum has not proved its worth, for it shut down indefinitely at the end of June. The museum, which is designated 

Families Belong Together: How Should Museums Respond?

Families Belong Together: How Should Museums Respond?

Two weeks ago, the Department of Homeland Security revealed that over 2,300 children were separated from their families along the Mexico-U.S. border under President Trump’s “zero tolerance” immigration policy. Although he has since reversed this order, parents and children remain separated in detainment centers, and it 

Acknowledging Slavery in Early American Art at the Worcester Art Museum

Acknowledging Slavery in Early American Art at the Worcester Art Museum

I’ll admit it. Oil portraits are not my thing. Yes, I am a museum studies student, and yes, I think there’s something to love about pretty much all museums. But if you take me to the Met or the MFA, I am not dragging you