The “Spectacularization” of the Modern Art Museum

The “Spectacularization” of the Modern Art Museum

Spiraling ramp ways, dizzying spatial effects, metal beams that emulate a flapping wingspan, and multimillion-dollar converted industrial buildings: these are just some of the many characteristics we find in the recent cultural phenomenon known as the “spectacularization” of museums. From Frank Gehry’s Guggenheim Museum Bilbao to the 

The Problem with Plastics

The Problem with Plastics

We’ve all heard the dire news. We’ve seen the straw drawn out of the turtle’s nose. We carry our reusable bags, whether or not our town has outlawed them. We know about the Great Pacific Garbage Patch. In ways large and small, the people of 

The Burning of the Museo Nacional of Brazil

The Burning of the Museo Nacional of Brazil

This week, tragedy struck the museum community and humankind with the burning of the Museo Nacional in Rio de Janeiro, Brazil. The 200 hundred year old museum, housed in the what was once the royal palace, has lost more than 90% of it’s 20 million 

The 400th Year of What, Exactly?

The 400th Year of What, Exactly?

Next summer, the United States will mark a somber anniversary. In August of 1619, the first recorded group of African people destined for sale in the colonies arrived in Jamestown, Virginia. Although, as Michael Guasco argues at Smithsonian.com, the date is not as important as 

The Pillaging of Cultural Patrimony: Who Does Art Belong To?

The Pillaging of Cultural Patrimony: Who Does Art Belong To?

This week, the British Museum announced that it would return eight looted artifacts of antiquity to Iraq’s National Museum. These objects, including a 4,000 year old clay-fired cone inscribed in cuneiform, were illegally taken from the country following the US-led Iraq invasion in 2003. While thousands of priceless 

Rapid Response Exhibits

Rapid Response Exhibits

The International African American Museum, a museum planned to trace African-American history in America from slavery to today, has hired a rapid response educator to help create exhibits in response to current events. Brenda Tindal had previously done this work at the Levine Museum in