Museum Studies at Tufts University

Exploring ideas and engaging in conversation

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Weekly Job Roundup

Internships

Preliminary Assessment of Glass Containers Used to Store Fluid-Preserved Specimens, Smithsonian Institution, Suitland, MD

Plant Curation Internship, Plimoth Patuxet Museums, Plymouth, MA

Marketing Internship, Old Sturbridge Village, Sturbridge, MA

Development Internship, Old Sturbridge Village, Sturbridge, MA

DEAI Internship, Old Sturbridge Village, Sturbridge, MA

Museum Education Internship, Old Sturbridge Village, Sturbridge, MA

Tully Family Internship in Museum Education, Hingham Historical Society, Hingham, MA

Administrative

Regional Site Administrator, Historic New England, Salem, MA

Museum Coordinator, Katharine Hepburn Museum, Old Saybrook, CT

Museum Associate, Lippitt House Museum, Providence, RI

Education Program Coordinator, Plimoth Patuxet Museums, Plymouth, MA

Collections

Intellectual Property Coordinator, Mystic Seaport Museum, Mystic, CT

Assistant Curator, Scottish Rite Masonic Museum & Library, Lexington, MA

Collections Manager and Registrar, Hingham Historical Society, Hingham, MA

Development and Marketing

Corporate and Relations Foundation Manager, Mattatuck Museum, Waterbury, CT

Education Marketing and Outreach Consultant, Strawbery Banke Museum, Portsmouth, NH

Development Manager, Hingham Historical Society, Hingham, MA

Education

Museum Educator, Martha’s Vineyard Museum, Tisbury, MA

Education and Public Programs Manager, Pequot Library Assocation, Southport, CT

Education Coordinator, SEE Science Center, Manchester, NH

Interpreter, Mystic Seaport Museum, Mystic, CT

Visitor Services Representative, Nichols House Museum, Boston, MA

Exhibitions

Indigenous Program Associate, Plimoth Patuxet Museums, Plymouth, MA

Exhibits Preparator, Shelburne Museum, Shelburne, VT

Restructuring Family at MMCA

One of the best parts of living in an increasingly digitized era is the greater access to things we may never otherwise encounter. For me, that means seeing museums and exhibits across the globe that were, at one point, completely out of reach. One such museum is the Museum of Modern and Contemporary Art (MMCA) in South Korea, the country’s only national art museum. MMCA boasts a large collection of art spanning an even larger time period and I recently got to see some of this art through a virtual exhibit on Google Arts & Culture titled, “Looking for Another Family.” 

MMCA Museum of Modern and Contemporary Art / Hyunjun Mihn + mp_art  architects | ArchDaily

Museum of Modern and Contemporary Art, Seoul, South Korea, 2013

“Looking for Another Family” restructures the term and concept of family through “the sense of social solidarity.” In three parts beautifully framed within Google Arts & Culture’s digital platform, this exhibit considers 1) the ideal concept of family as the regulation and emotional turbulence, 2) how the body and mind are restricted within a society, and 3) how viewers can continue to discuss the issues raised by the artworks. One of my favorite pieces in the collection is Tandia Permadi’s Letter to Nan, which is a visual documentation of Permadi’s exploration with identity, sexuality, and abuse. Permadi draws on his childhood and his family’s strict adherence to the Indonesian belief that having a boy as your first born child is bad luck. Through this, Permadi discusses how his family treated him as a girl and how this blurred line between gender and identity affected his upbringing. Permadi’s story is not the only one to tackle difficult subjects like this; in fact, most of the works displayed in “Looking for Another Family” challenge longstanding beliefs about gender, sexuality, and the roles we play in society and family.

Letter to Nan - Tandia Permadi — Google Arts & Culture

Letter to Nan, Tandia Permadi, 2020

Though I was engaged with the works here, it is easy to see how others may be turned away from the heaviness and overwhelming nature of the subject. “Looking for Another Family” is intentionally uncomfortable, it challenges beliefs and standards that many of us have grown up with and accepted as true; so, of course we would be uncomfortable in a space that seems to tell us otherwise. But, how do we as educators bridge that discomfort? How do we tell visitors that it’s okay to be uncomfortable, confused, or even unhappy with what they’re seeing? In my past experiences working with difficult subjects, I’ve found that I and many other museum educators were wildly unprepared to handle not just the complex discussions, but also the complex emotions and stories that visitors carry with them into these exhibits. Perhaps there is no easy answer, no one-size-fits-all solution – as educators, we remember that no two visitors are alike and no two visitors share the same experiences. Perhaps the best approach is the honest one, the approach that these artists have taken in being vulnerable and sharing their vulnerabilities with audiences. Some of my most endearing, memorable museum experiences have stemmed from speaking with staff who breach the fancy, elevated talk and instead share their own personal stories and thoughts, bringing their feelings and experiences into the conversation. By being vulnerable with our visitors, educators can make visitors feel comfortable being vulnerable with us. 

“Looking for Another Family” is, in one sense, all about vulnerability; it’s about breaking molds that traditionally made us feel safe and stepping into new roles in society. Though Google Arts & Culture doesn’t currently facilitate further educational experiences with the exhibit online, it is still a fascinating way to engage with the works at MMCA. The digitized exhibit format also encourages visitors and viewers to proceed through the space at a rate that’s comfortable for them. You can experience this for yourself here and learn more about MMCA here.

Teaching About Mental Illness at the Museum

“It disgusted me even to move,” wrote an artist to his younger brother, “and nothing would have been so agreeable to me as never wake up again.” The year was 1889; the place, the Saint-Paul Asylum in Paris; the artist, Vincent van Gogh.

We’re accustomed to seeing Van Gogh’s breathtaking work in the museums we visit. Maybe, like me, you’ve marveled over a number of his paintings at the Norton Simon Museum in Los Angeles, far from his home in the Netherlands; or you’ve reflected on his self-portrait right here in Massachusetts at the Harvard Art Museums; or perhaps you’ve even gotten to step right into the artist’s world by experiencing the immersive Van Gogh Exhibition.

We know well how to appreciate his work. But have you ever seen a museum deal candidly and compassionately with his mental illness?

Saint-Paul Asylum in Saint-Rémy-de-Provence, 1889. Vincent Van Gogh.

As someone who cares deeply about mental health advocacy, I often wonder how — as an emerging museum professional — I can do my part to educate our world on the realities of mental illness. Many people still carry harmful misconceptions about mental health, even as they appreciate the work of artists and public figures whose lives were marked by such unseen sicknesses. Although there are countless historical figures whose writings, work, and actions make clear that they would now be diagnosed with some type of mental illness, the museums dedicated to these people rarely ever acknowledge the profound difficulty that they faced in life as a result of this. As museums, bound in our responsibility to educate and enlighten the public, shouldn’t shedding a light on mental illness be part of our job?

As it turns out, some museums across the globe are doing just that. Holland’s Van Gogh Museum, in fact, dedicated an entire 2018-19 exhibition to its subject’s mental illness. Van Gogh Dreams plunged visitors into an immersive journey through Vincent’s dark time spent in Arles, France in the late 1880s, where he ultimately suffered a terrifying breakdown. In order to help visitors understand what the artist was going through, the museum recreated his experience with the help of “a dark room with flashing red lights and shattered mirrors.” By creating such a visceral experience, the Van Gogh Museum invited visitors right into the tortured mind of Vincent Van Gogh in some of his most difficult moments — and there is perhaps no better way to foster empathy.

Patient artwork at the Glore Psychiatric Hospital Museum. Via Flickr.

Several former psychiatric hospitals function as museums today, shedding light on mental health history, telling the stories of the residents by displaying their artwork, chronicling the mistreatment they faced with surgical tools and equipment, and challenging visitors to overcome their own internal stigmas surrounding mental illness. (A few such museums are the Glore Psychiatric Museum in Missouri, the Oregon State Hospital Museum, and California’s Patton State Hospital Museum.)

In 2017, the Museum of Science in Boston did groundbreaking work by becoming likely the first major American museum to address mental health from a scientific standpoint —  but the goal, MOS staff explained at the time, was not to flood visitors with statistics and information, but instead to make people who live with mental illness feel welcome and heard, and to inspire empathy in all others. This should be the aim of every museum tackling topics of mental health — which, I believe, should be most every museum.

Then there is the question of visiting museums while mentally ill. Museums are institutions for all, places where people can come and be refreshed and rejuvenated — places where we should all feel that we belong. Yet issues of accessibility mean that, for so many, museums don’t feel like an option. The article “The Unseen Museum Visitors: Persons With Mental Illness” encourages museums to reach out to local mental health professionals, collaborate and share resources with one another, and simply embrace the idea of truly creating a community for all people. By committing to greater accessibility, education, and compassion, museums can be part of the solution to the discrimination that people with mental illness experience all too often.

About 1 in 4 American adults suffer from a diagnosable mental illness. This means that, should museums decide not to tell the stories of or create welcoming environments for human beings with mental health struggles, nearly 58 million people in this country alone will be neglected. There is great power in the museum to foster welcoming for those who have felt unwelcome all their lives, and to teach empathy to all others.

Van Gogh Dreams at the Van Gogh Museum, which experientially recreated the artist’s 1889 breakdown.

Imagine how many people would feel represented if every museum that displays a Van Gogh recognized his mental illness with grace, compassion, and knowledge. He, and so many others, deserve to have their truth told.

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What’s on My Museum Bucket List?

It may already be February, but in my opinion it’s never too late to set New Years’ Resolutions, and one of mine—maybe not surprisingly—is to visit more museums! With museums increasingly reopening after the pandemic restrictions of the past two years, there has never been a better time to schedule a museum visit or two. Here are a few of the Boston-area museums I’m looking forward to checking out in 2022!

The newly-reopened galleries of Dutch and Flemish Art at the MFA.

The Museum of Fine Arts

The MFA has long been one of my favorite museums, but when I heard that the museum recently reopened its Greek, Roman and Byzantine and Dutch and Flemish galleries, I knew I had to plan another visit ASAP! Between these two recently reimagined spaces and the museum’s many other ever-popular collections, there is always something new to discover at the MFA. And don’t forget that Tufts students can take advantage of free admission!

The Museum of Science

Even though I’m an art historian myself, I’ve always loved visiting science museums. And despite living in Boston for nearly two years now, I still haven’t taken the time to visit Boston’s Museum of Science! From animals, to engineering, to outer space, and beyond, there is something for everyone at the Museum of Science, including adults. Check out a list of their current exhibits here!

The Boston Athenaeum

The Mapparium at the Mary Baker Eddy Library.

Another museum that has been on my radar since I moved to Boston is the Mary Baker Eddy Library, a historic research library that also offers a wide range of exhibitions and special events. I’m particularly curious about the Mapparium, a three-story-tall stained-glass globe that dates from 1935. The site is open every day from 10am–5pm, and admission is $6 (but NEMA members can get in for free!).

The Museum of Bad Art

“Charlie and Sheba,” a 2007 painting by an anonymous artist that can be found at the Museum of Bad Art.

Located right by Tufts’ campus in Davis Square, the Museum of Bad Art describes itself as “the world’s only museum dedicated to the collection, preservation, exhibition, and celebration of bad art in all its forms.” While the museum is currently closed indefinitely, you can still explore their collection online. While I won’t disagree that many of the museum’s holdings are in fact pretty bad, they’re also fascinating and incredibly entertaining!

The Harvard Art Museums

Another museum not far from Tufts’ campus is the Harvard Art Museums, comprised of the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum. The Harvard Art Museums boast a diverse collection, with artworks from all over the world and ranging from ancient to modern and contemporary. And if art isn’t your thing, Harvard also has a bunch of other museums including the Warren Anatomical Museum, the Harvard Museum of Natural History, the Peabody Museum of Archaeology and Ethnology, and more. Personally, I’m looking forward to checking out all of them soon! Tufts students can get free admission to the Harvard Art Museums, too—but don’t forget to make your reservation in advance here!

Are there any museums on your 2022 bucket list? Let us know in the comments!

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