Recent Posts

Titian’s Women: An Italian Museum Experience at the Palazzo Reale in Milan, Italy

Titian’s Women: An Italian Museum Experience at the Palazzo Reale in Milan, Italy

We emerged from the depths of the Milan metro, covering our eyes as the sun shone through the opening at the top of the stairwell. Armed with masks and an apocalyptic supply of water, we had come prepared to take on the masses in the 

Meet the New Editors!

Meet the New Editors!

Another academic year has passed, and it’s time for three new editors to take the reins of the Museum Studies blog! A huge thank you to Claudia, Jane, and Lucy for their hard work on the blog over the past year, and good luck with 

Identity: Who are we in museums?

Identity: Who are we in museums?

Throughout this semester, I had the opportunity to work with my peers to develop an interpretive project mostly from scratch. I emphasize the word mostly here because we were fortunate enough to find inspiration from Tufts’s very own Art Datathon, an event hosted by the Tufts University Art Gallery that explored the ways data in museum collections is not as objective as we assume it is.

For me, this class was the culmination of my time in this program; it was a blend of old and new knowledge, a chance to practice skills I already had and more importantly, a chance to develop those that I really struggled with. While working on this project, there were a lot of hurdles that made me question how I really fit into the museum space. What kind of educator do I want to be? What biases do I carry into my own interpretive styles? It was cathartic, especially as I near the end of my time as an editor for this blog and a student in this program.

The project itself, Obscured Identities, challenges the collections database at Tufts University Art Gallery using questions similar to those I asked myself. Our group looked at these objects, looked at the data, and asked ourselves if this data truly represents their story. Can we really say that the data is objective and without bias? Interpreting these objects and their reported data revealed that no, we can’t really assume those things. For some of us, this was difficult to grapple with. It took a lot of introspective reflection and creativity to begin telling these stories, interpreting these objects, not just through the data available, but also the data missing. One piece I worked closely with is Justice Ofoni’s “Best in Haircut” which is a barbershop sign from Ghana. Perhaps the biggest story we pulled from the data was the cultural identity stripped from this piece. According to the art gallery’s database, “Best in Haircut” is culturally African. Yet, we also know that the piece is from Ghana; so why do we reduce this cultural identity to the broad scope of an entire continent? These stories and challenges were the core of our project, which materialized through a virtual exhibit using StoryMaps.

2016.33.jpg

“Best in Haircut” by Justice Ofoni

I’m grateful for this project and the experience it offered me, and I’m even more grateful for my peers who supported each other throughout its development. 

To learn more and see the final exhibition, you can view it here on StoryMaps.

Tufts Museum Studies at the Boston Athenaeum

Tufts Museum Studies at the Boston Athenaeum

Earlier this month, several Tufts Museum Studies students made their way downtown to check out the Boston Athenaeum! Established in 1807, the Boston Athenaeum is both a library and a museum, boasting an impressive collection of both books and art. The institution’s present location at 

Disbanding Docent Programs – the Art Institute of Chicago Faces Backlash

Disbanding Docent Programs – the Art Institute of Chicago Faces Backlash

Reflecting to the trends of current museum practices, institutions are determined to be more inclusive and diverse across their staff members and the communities they serve. Having staff members working together as a team from various backgrounds can result in a functional unit that is 

The JFK Library: A Man and His Children

The JFK Library: A Man and His Children

It’s an image etched into our national consciousness as Americans, perhaps from before we even know its context: that of a toddler John F. Kennedy, Jr. saluting his father’s casket. It was November 25th, 1963, making it the little boy’s third birthday, and while standing beside his grieving mother and sister he raised his right hand and made the gesture that has since become an inseparable part of American collective memory.

John Jr.’s famous salute at his father’s funeral. It was his third birthday.

Perhaps, like me, you’ve been simultaneously entranced and haunted by the moment since childhood. My mom has loved studying Kennedy history since she was a teenager, so I don’t remember a time when I was not acutely aware of such images of their famous political family — the joyous and the triumphant, the solemn and the heartbreaking. Yet John Jr.’s innocent, imitative expression of respect at his father’s funeral has always been, by far, the most powerful to me.

At the John F. Kennedy Library in Boston, Massachusetts, the untimely loss of the thirty-fifth president of the United States is not dwelled upon: one hallway, set apart from all other galleries with its stark black walls, features a handful of monitors that play news footage of the funeral, and that is the extent of it. After all, this is the part of the story everyone already knows with painful intimacy.

“The sea he loved”: a beautiful day, right outside the JFK Library. Taken 5 March 2022.

Instead, the museum makes its mission to “engage with citizens of all ages and nationalities through JFK’s life story and the ideals he championed,” and it certainly accomplishes this. I visited with my sister last weekend, and we were deeply struck by the careful detail in which the library leads visitors through Kennedy’s campaign, his actions as president, and his continuing legacy to our present day. His wife Jacqueline is recognized for her work as First Lady and her efforts in historical preservation; his brother Bobby’s role as Attorney General and his sister Eunice’s advocacy for intellectually disabled individuals are highlighted; and a whole cast of international leaders like Nikita Khrushchev of the Soviet Union, Félix and Marie-Thérèse Houphouët-Boigny of Ivory Coast, and Charles de Gaulle of France (to name just a few!) illustrate the complex political climate of the early 1960s. The library’s location, overlooking “the sea that he loved and the city that launched him into greatness,” helps to complete the picture of JFK and his world.

A magazine article revealing Caroline’s nickname for her little brother — “the kissing baby.” On display at “First Children.”

And then, of course, there are his children. When the Kennedys moved into the White House, they brought with them the first youngsters to live at 1600 Pennsylvania Avenue since the Theodore Roosevelt administration. Caroline, just 3, and John Jr., two months old, became instant icons of pop culture, absolutely captivating the American public with their every step, babble, and baby tooth. 

Finger-painting by John Jr., 1963. On display at “First Children.”

There is a gallery dedicated to JFK as a family man in the library’s permanent collection, but in August of last year, a temporary exhibit examining Caroline and John Jr.’s celebrity status opened in the special exhibition gallery. Titled “First Children: Caroline and John Jr. in the Kennedy White House,” it was, perhaps, my favorite part of the experience this visit.

JFK often invited the children to play in the presence of photographers when their mother wasn’t there to express her disapproval — hence the existence of such iconic photos as this one, of John Jr. playing under the Oval Office desk.

Revealing their mother’s determination to shield her children from the international spotlight — while, at the same time, her husband was well aware of the humanizing effect his toddlers had on public image and didn’t hesitate to take advantage of it — “First Children” weaves a story of the innocence of childhood even in the midst of extraordinary circumstances. A highlight for me was the recreation behind glass of Caroline’s White House bedroom, filled with gifts from international leaders, and the display of her dolls (of which she received about 75 from foreign dignitaries across the globe). Close by, the exhibit cycled through a slideshow of photos depicting the room as it appeared at the time, complete with one of John Jr. grinning by his sister’s couch, where countless dolls are set up lovingly. 

Caroline’s Christmas List, December 1962. On display at “First Children.”

Pieces of artwork by both children and a letter to Santa from the last Christmas they spent with their father (wherein Caroline requests a “real pet reindeer” for herself and “interesting planes…or something he can push and pull” for her little brother) were other particularly special moments. These children lived lives that were anything but ordinary, in any sense of the word — yet they were still just children. It was a striking experience: these youngsters who we all feel we know so well, because American culture is so saturated with their likenesses, becoming so real.

John F. Kennedy, Jr. and cousin Patrick at the dedication of the JFK Library in Boston, October 1979.

When the John F. Kennedy Library opened in 1979, the children — by this time 21 and 18 — were, of course, present at the dedication. John Jr., in fact, read a poem by Stephen Spender in honor of his father. “I think continually of those who were truly great,” it opens, ending with the lines “Born of the sun they traveled a short while towards the sun / And left the vivid air signed with their honour.”

Interestingly, in a moment that has since become famous, an adult John Kennedy Jr. told a friend that everyone expected him to become a great man, as his father had been. “I think,” he said, “it would be a much more interesting challenge to see if I could make myself into a good man.”

Memorial outside JFK Jr.’s apartment, 1999.

Taking my cues from the JFK Library, I won’t dwell on the unfair and untimely losses of either John Jr. or his father. But I believe this image — of a memorial outside the younger Kennedy’s apartment in 1999, including a sculpture of that famous moment — is too powerful not to include. It bridges two tragedies, two eras, two men, a little boy and his father — whether good or great. That’s up to history, and our collective memory. That’s up to museums.

The JFK Library is currently open Saturdays and Sundays from 10 AM to 2 PM; click here to reserve tickets online. “First Children: Caroline and John Jr. in the Kennedy White House” is on view through January 2023; learn about the special exhibit here.