For many years, issues of the deaccessioning of works in museums’ permanent collections have garnered much attention. Since the pandemic, these concerns have only increased as museums struggle to stay open. In recognition of these struggles, the Association of Art Museum Directors (AAMD) – an …
Last week’s theme was slightly challenging. A lot has happened in the lives of all of us especially in the last past 4-5 months. So I think it might have been hard to cherry pick one particular event from that myriad. Nevertheless, I am glad …
The New England Aquarium, along with many of Boston’s other cultural institutions, reopened on July 16th with pandemic-specific precautions. The Aquarium now has a one way path throughout the building, reduced capacity, additional sanitation stations, and requires visitors to wear masks. Now that the Aquarium has been open for almost a month, I checked in with Nick Pioppi, Supervisor and Senior Educator at the New England Aquarium, about the process of reopening.
Nick Pioppi conducting a virtual visit to the New England Aquarium.
How have things been at the Aquarium since reopening?
“Things have been very good. We feel very confident that we have established a safe, fun, and engaging experience for visitors. That doesn’t mean that there haven’t been some things that we’ve worked on or refined in terms of our process. We always come up with ways to become more efficient or make the process run a little bit more smoothly so we’ve definitely tweaked things as we’ve gone along.”
When the aquarium was closed, what were some strategies you used to reach your audience?
“We took a look at what we offered virtually and came up with some strategies to create new virtual content that was fun and engaging and kept people feeling connected to the aquarium, but also continued to foster and promote our mission. I think that was really important because we wanted people to understand that there were a lot of things that were still going on, like animal care and research efforts. We wanted to work hard to put those out front and use those as a way of connecting with visitors.”
With reopening, what are some challenges you’ve found with running educational programming?
A California sea lion reminds visitors to social distance.
“We are not leading any of our normal presentations on microphone. We are trying to avoid elements of an experience that might cause people to crowd and have difficulty maintaining physical distance from each other. Any sort of educational content or interpretation is happening on a one-on-one basis. We have staff that are stationed throughout the building with the primary goal of providing a logistically smooth and safe experience for visitors, but we’re slowly starting to integrate points of interpretation.”
“We’ve really had to just be a little bit more selective about that and focus more on safety and logistics and making sure the one way path is being followed. We’ve even had to close down elements of the aquarium, like the touch tanks or one particular exhibit called “The Science of Sharks” that is very interactive, just out of an abundance of caution.”
Speaking to the animals, how are they adjusting to having visitors again?
“For the most part, we are not noticing significant differences in behavior of the animals. Most of their daily routines were still going on during the closure. They were still getting fed regularly and the life support systems that keep them comfortable were being maintained. If they aren’t particularly reactive to our presence outside of their tank, then things are the same for them. There are a few exhibits that we’re noticing some subtle differences. To prepare the penguins, a week ahead of time we placed speakers around the exhibit and played crowd noise to get them accustomed to visitors again.”
Do you have any advice for museum educators during the pandemic?
“From my own experience, now is the time where it’s important to remember a lot of the basics of education, such as the customer service element and providing a nice alternate experience for visitors than what they’re having any given day. But this is also a time where innovation and trying new things out can be really beneficial. Trying to think of new ways to connect to people.”
“I think for institutions, it’s probably really scary to innovate and experiment because you’re worried about losing what little you have right now. But I think now is just a good a time as any to be innovative and stand out. Provide something that other museums and institutions aren’t necessarily providing.”
The New England Aquarium highlighted the work of the aquarists and researchers during the closure.
Are there any final thoughts you’d like to share?
“I think the community of educators is so important right now. I think it’s important right now to think about ways to connect. Connect with teachers that are struggling with virtual learning in the fall. Connect with people who may have been laid off from an institution because of budget cuts. Connect with people who might be educators but are doing a type of interpretation that’s really different from you. We can all learn from each other and support each other.”
Thank you so much, Nick, for meeting with me to chat about the Aquarium’s reopening. Follow the New England Aquarium’s Facebook and Instagram accounts for tons virtual content and updates. Also, the Aquarium is still fighting for COVID-19 relief funding, so use this link to contact your representative about providing crucial funding for both animal care and operating costs.
Summertime is often the season when I, as I am sure many of our readers as well, will go and explore various museums. Seeing as how I am from Virginia, this usually means going to the Virginia Museum of Fine Arts or the (newly renamed) …
July 26th, 2020 marked the thirty-year anniversary of the Americans with Disabilities Act (ADA) which made it illegal to discriminate against people based on a disability in areas including, but not limited to, employment, transportation, and public services. In an article, called “A Brief History …
As people across the country fight back against police brutality and systemic racism, cultural institutions need to leverage their platform as trusted sources of information to educate the public about racism in the United States. Discussions about race are typically limited to art and history museums, while science museums tend to focus on the environment, health, and conservation. Science museums are not exempt, however, as racism intersects with both environmental science and health science. Moving forward, it’s critical that science museums start addressing systemic racism in order to better serve both their missions and their communities.
RACE: Are We So Different? debuted in 2007 and has visited over 40 institutions.
The American Anthropological Association and the Science Museum of Minnesota worked together to develop an exhibit entitled RACE: Are We So Different? in 2007 to explore race and racism in the United States. The exhibit combines history, science, and lived experiences to challenge how we think about race. The exhibit has since travelled around the country to various science museums, with its most recent stop at the Durham Museum in Omaha, NE. A traveling exhibit that addresses race is great, but science museums have a responsibility to do more.
Many science museums focus on topics about the environment and sustainability, but from my experience, rarely talk about environmental racism. Environmental racism is the disproportionate impact of environmental hazards on people of color. For example, Black and Latinx Americans are more likely to live in areas with high air pollution leading to an array of health problems. Overall, people of color are on the front lines of the climate crisis and have fewer resources to deal with the consequences. In the U.S., the white upper middle class will be the last to feel the catastrophic effects of climate change. These are the same demographics that tend to visit museums. To both better serve communities of color and accurately deliver conservation messaging, science museums have a duty to address environmental racism head on through educational programming and activism.
Ending our reliance on fossil fuels is the key to reversing climate change and a fundamental part of environmental messaging. Non-renewable energy is also tightly linked with colonialism and the destruction of indigenous land and culture. In 2016, the Dakota Access Pipeline was rerouted to pass directly upstream from the Standing Rock Sioux Reservation without understanding the environmental impacts. Only this year did the D.C. district court order a proper environmental review. The Standing Rock Sioux Tribe is still fighting to shut down the DAPL. To divorce climate change and sustainability from human rights is a disservice to the indigenous communities that have led the environmental movement from the beginning.
From earthjustice.org
Health sciences and medicine also have a deeply racist history. Ethics and consent have evolved over time, but have taken advantage of people of color in particular. Jon Quier experimented with smallpox inoculation on enslaved peoples in Jamaica. The Tuskegee Study of Untreated Syphilis in the Negro Male deliberately misled black men into believing they were receiving treatment in order to study the progression of the disease. In 1951, Henrietta Lacks’ immortal cancer cells were taken without her or her family’s knowledge or consent. These HeLa Cells have been instrumental in understanding polio, HIV, HPV, and thousands of other diseases, but have sparked questions about informed consent and collecting patient cells. Museums are uniquely equipped to present these questions and facilitate discussions on bioethical standards. It’s important to acknowledge and confront how racism has and continues to shape medical advancements worldwide.
Whale People: Protectors of the Sea at the Florida Museum of Natural History.
As educational institutions, most science museums are already addressing both the current environmental crisis and human health. As cultural institutions, they need to include whole narratives if they are going to properly serve their communities. The Natural History Museum is a traveling pop-up museum that “makes a point to include and highlight the socio-political forces that shape nature.” Past exhibits include Whale People: Protectors of the Sea which addresses orca conservation, pollution, and industrialization of the Pacific Northwest in collaboration with the Lummi Nation. Mining the HMNStackles the Houston Museum of Natural Sciences’ relationships with the fossil fuel industry by investigating exhibits in HMNS and highlighting the stories of communities along the Houston Ship Canal.
All science museums need to take The Natural History Museum’s lead and project marginalized voices. To remain apolitical is to continue whitewashing both environmental and health sciences and to silence BIPOC communities. Science museums need to uplift activists of color by giving them a platform to speak. Science museums need to diversify their boards, staff, and leadership to dismantle the white narratives that are pervasive throughout. And science museums need to adapt their missions to address the social and political factors that influence both nature, health, and scientific discovery.