Tag: food for thought

Thinking about museum workplace communities

Thinking about museum workplace communities

When we think about the people that comprise a museum’s community, sometimes we overlook the very core of that group: the staff. Like all non-profits and cultural organizations, museums often have a small but dedicated crew of people giving 110% toward accomplishing the museum’s mission. And they 

A New Conversation for a New Year

A New Conversation for a New Year

What is a museum? There’s a lot of ways to categorize them. Educational institutions. Tourist attractions. Repositories of knowledge or art. A place to bring the kids on spring break. One way that we like to think about a museum is as a community. The 

On Education and the Vote

On Education and the Vote

Museums have, for many decades now, been sites of learning and exploration for people of all ages, economic classes, and educational levels. The idea of informal learning spaces assisting with civic education of newly arrived Americans has its roots in a Progressive Era ethos of immigrant assimilation, with the accompanying racist and xenophobic undertones one might expect. However, some of the programs provided by settlement houses and other progressive aid organizations had a significant impact on the lives of immigrants eager to learn about their new country and to advance within it.

Regardless of the flawed origins of these programs, the value of civic education that unites all Americans and enables advocacy and enfranchisement is not to be denied. This understanding of the role museums can play in the pursuit of civic engagement is fully realized in programs like New-York Historical Society’s Citizenship Project. This class uses art from New-York Historical’s collection to teach prospective citizens about American History and Civics through art in the collection. The course does not shy away from informing the students about the darker aspects of American History, including Native American removal, the Chinese Exclusion Act, and the Civil War. The Society also hosts naturalization ceremonies for students after they complete the program and pass their citizenship exam.

Of course, for those of us already enfranchised, we don’t have to wait long to exercise our right to vote. There is a midterm election fast approaching on November 6. Aside from the noble causes museums can assist with, like citizenship courses or enhancing student learning by providing material culture to augment in class learning, we know that museums are affected by political decisions every day. From federal funding of the arts and history projects to local budgets supporting field trips, elections matter when it comes to keeping museums open, encouraging new work to be done, and extending access to museums for students and other prospective learners.

This blog encourages you, museum professionals and students alike, to make sure that you make a plan to vote on November 6. The state of Massachusetts, where Tufts is located, has a sample ballot available here to help you prepare for voting and a way to find your polling location here. Other states have also posted their ballots and polling place locators online. Making decisions about who and what will best represent your life and your institutions is an important responsibility that comes with civic education. As John Dewey once noted, “Democracy has to be born anew every generation, and education is its midwife.”

 

Assessing Allyship with the AAM

Assessing Allyship with the AAM

October is a great time to talk about LGBTQ+ identity in museums! You may be thinking, “Isn’t Gay Pride in June?” and you’d be right, but October is also a key month for discussing more than just pride. Not only was National Coming Out Day held 

Measuring a Museum’s Worth

Measuring a Museum’s Worth

Is it via attendance or admissions fees? The size of the collection or the amount of funding it receives? By almost any measure, the Philadelphia History Museum has not proved its worth, for it shut down indefinitely at the end of June. The museum, which is designated 

Families Belong Together: How Should Museums Respond?

Families Belong Together: How Should Museums Respond?

Two weeks ago, the Department of Homeland Security revealed that over 2,300 children were separated from their families along the Mexico-U.S. border under President Trump’s “zero tolerance” immigration policy. Although he has since reversed this order, parents and children remain separated in detainment centers, and it continues to be unclear how – and when – families will be reunited. In response, hundreds of thousands of demonstrators across the United States took to the streets on Saturday to protest the administration and to march in solidarity with immigrant families seeking asylum.

In this ever-changing political climate, museums have the ability to foster a safe and inclusive learning environment where individuals can come together to speak out and discuss immigration and other social injustices. As platforms for education, contemplation, and inspiration, museums also have a social responsibility to respond. How though, can such institutions take action?

The Oakland Museum of California has recently highlighted its Sent Away exhibition (permanently on view in the Museum’s Gallery of California History), which documents the experience of the seven thousand Japanese American families who were sent to the Tanforan Assembly Center internment camp in the 1940s under President Franklin D. Roosevelt’s Executive Order 9066. “With the recent ‘Sent Away’ installation,” according to the Museum’s curator,  Erendina Delgadillo, “we’ve been paying attention to whether the visitors really understand, and if it’s properly conveying the trajectory of racialized communities in moments of political and social stress.”

This is not the first time that museums have promptly responded to President Trump’s divisive policies. In February 2017, after announcing a travel and immigration ban against several Muslim-majority countries, MoMA protested by rehanging art made by artists from the list of banned nations. In a similar demonstration of solidarity, the Davis Museum at Wellesley College removed or covered any artworks in its collection that was “made by an immigrant” or “given by an immigrant,” surmounting to over twenty percent of its art being censored.

However, museums do not necessarily have to highlight their art to make a difference. They could also host symposia, guest speakers, readings, open forums, film screenings, panels, and other public programs that explore current events revolved around American history and culture, immigration, democracy, or government. For instance, the New-York Historical Society recently launched the Citizenship Project, an initiative that offers free American history courses for green card holders hoping to take their naturalization exam. It also hosts naturalization ceremonies, allowing individuals to come together to celebrate their new citizenship in an effort devoted to “telling the American story and fostering a community of learners to consider what it means to be an American, past and present.”

Unfortunately, museums largely remain silent about the stories of individuals who continue to be systematically excluded. While doing research for this blog post, I was surprised and saddened at the lack of museums responding to our current climate. As we have learned from our country’s history, apathy and silence will fuel, not heal, our society’s malaise. If more museums took the small step of acknowledging our political situation by actively becoming a part of the conversation, it would make a world of difference.