Museum Studies at Tufts University

Exploring ideas and engaging in conversation

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Talking the Talk: Next Steps for the Salary Spreadsheet

You may have seen the Arts + All Museums Salary Transparency spreadsheet: a Google sheet of (at the time of this posting) nearly 2000 museum salaries from around the world. The nature of the data for each submission varies, but most entries include the name or type of museum, individual’s role and department, location, starting and ending salary, benefits, and required degree. Some individuals have also provided their gender and race. The bulk of the submissions come from museum professionals working in the United States, but the sheet also includes entries from countries such as Brazil, France, New Zealand, and the United Kingdom.

Kimberly Rose Drew (@museummammy) shared her story of undercompensation at the 2019 AAM Annual Meeting & Expo

Michelle Millar Fisher, an assistant curator in the European decorative arts and design department of the Philadelphia Museum of Art, and colleagues created the spreadsheet to encourage transparency across the field after being inspired by Kimberly Rose Drew’s story of how she learned she had been undercompensated for her work at The Met. They may have also been inspired by a similar spreadsheet created weeks earlier by Alison Green of Ask A Manager for the same purpose: to “take the mystery out of salaries.”

At this point, the spreadsheet has grown 1800% since its first day and the story has been picked up by news sites such as Artnews, Artnet, Business Insider, Nonprofit Quarterly, and others. Fisher expressed her hope to Artnews that the spreadsheet “… encourages a conversation between coworkers… If you don’t do it, everything stays the same. Sometimes it takes just one tiny action. Solidarity is the only way to effect great change.”

Where do we go from here? What can you do?

  1. If you haven’t yet, look over the spreadsheet. It’s grown from a 100-entry sheet of mainly curatorial submissions to a nearly 2,000-entry behemoth of positions in administration, collections, digital, education, operations, security, visitor services, and other departments. If you’re interested in downloading a copy of the data, you may be able to obtain one by emailing the contact provided on the front page of the sheet.
  2. Submit your own entry. The spreadsheet has been locked to preserve its data, but you can (and should!) add your information through this Google form. While it has grown impressively, we’re still nowhere near a full picture of the field.
  3. Be open with your colleagues. Workplace etiquette has long dictated to keep mum about one’s salary, but silence perpetuates the status quo. Transparency about salaries and benefits exposes both institution-based and field-wide inequities.
  4. Speak up. In a NY Times article about the Ask A Manager spreadsheet, Liz Dolan of the podcast “Safe for Work” and formerly of the marketing teams for Nike and the Oprah Winfrey Network suggests “[asking] for regular raises, noting that the earnings compounded over time [are] considerable.” She also notes, “Sometimes you have to be first and that is the scary part… It’s important to build that confidence.” Whether you are applying for or already in a museum job, use the data from this spreadsheet and other resources such as annual wage surveys to bolster your ask for pay you deserve. (You can find additional pay-related resources under Tab 3: Other Resources on the spreadsheet.)
  5. Team up. Asking for change can be intimidating. Lean on and lend your support to colleagues if you or they decide to speak up.
  6. Share up. Transparency is important; action on the the information provided is doubly so. Share the spreadsheet and other salary data with the people with pockets (or paying power): museum leadership, board members, HR, you name it. They need to understand that this is an issue to be taken seriously, and – hopefully – with our voices combined, we may move the needle.

Weekly Jobs Round-up

Happy hunting! Here are some new job postings for the week of June 2.

Northeast

Southeast

Mid-Atlantic

Midwest

West

The Politics of Seeing

A Sign of the Times by Dorothea Lange, 1934

Hopefully summer time is going swimmingly for everyone, whether you’re in internships, jobs, or are relaxing. For museum-goers, popping into an exhibit or two (or thirty) during the dog days is a favorite past-time. And that’s exactly how I kicked off my summer, by visiting the Dorothea Lange: Politics of Seeingexhibition in Nashville at the Frist Art Museum.

The difference from last summer to this one is that I have a year of museum studies under my belt, and now I am looking at exhibits with a critical (albeit, novice) eye. Here is my shameless plug and a challengeto anyone reading: send in an exhibit critique this summer for a guest spot on the blog. We would love to hear from places around Boston and beyond—for the nomads. I personally would love to read more about and experience more exhibits that show museums care about engaging all walks of life.

So, rewinding, Dorothea Lange… who is she? She’s a popular photographer from the 20thcentury who used her camera as a tool for justice. She wanted to expose inequalities in regard to race and gender, to address issues around the Great Depression and migrant workers, and to demonstrate the decline of the rural communities and environments. These topics are not unfamiliar to us today, if you will excuse the double negative.

Dorothea Lange

I’ll be frank—I am not a photography fan. I can get down with a selfie or a scenic vista, but my world isn’t transformed by many pictures. I don’t know if it was my schooling coming in handy or maturation on my part, but I appreciated this exhibit for what it was trying to do, to give its audience a lesson on a compelling woman in history who visually captured the lives of those who would have been lost to time and to subtly make a point about how the world hasn’t changed in many ways.

Like many reinvented museum exhibitions today, this exhibit was clearly standing up for something. It wasn’t shying away from pointing out the injustices of this country. The major critique I would give is that it didn’t necessarily give an answer on how to change the oppression of minorities or the neglect of the poverty-stricken in this modern age. However, it does have a charming way of showing how photographs can be edited by the owner to represent the message the owner wants, rather than revealing the whole, complex truth. 

We should care about that visitor connection for so many reasons, but I will start with a basic one: many people for centuries haven’t seen “their story” in a museum and that’s fortunately changing. This exhibit was giving a low down on some of the rundown minorities of the past, but it wasn’t as accessible as it could’ve been due to entrance fees. Go away from this article today thinking about how museums can become more connected with the unconventional museum goer. (On a personal note, feel free to drop a line about how to spice up photography exhibits.)

Job Posting at Well-B Innovation Center

From the Well-B Innovation Center
800 Boylston Street, Prudential Center, Back Bay Arcade, Boston, MA

Position: Visitor Experience Associate

Reports to: Exhibit Manager, Innovation Department

About Well-B:

  • Sponsored by Blue Cross Blue Shield of Massachusetts, the Well-B Innovation Center acts as a space to bring people together, learn from one another, share ideas, and create new solutions to improve health and healthcare. Recently opened in the Prudential Center in May 2019, the exhibit space will be rapidly changing, with new exhibits being developed every 4-8 months.

Position Summary:

  • The Visitor Experience Representative is essential to creating a positive, memorable experience where visitors learn and contribute to healthcare innovation. This position serves a dual-role by providing outstanding customer service and facilitating educational experiences in the exhibit space. Since the space is a unique balance of an educational experience and feedback forum, the Visitor Service Representative must be a flexible and empathetic thought partner for visitors.

Customer Service: 

  • Act as a resource for visitors by welcoming and orienting them to Well-B’s unique offerings.
  • Help communicate the connection between BCBSMA, Well-B, and current exhibit materials
  • Track daily visitation statistics, log interactions, and pass along feedback from visitors though associated paperwork.
  • Manage varied (ranging from high to low) volumes of visitor traffic while providing personal attention to individuals.
  • Assist Program Manager with set-up and facilitation during special events.
  • Provide immediate and appropriate responses to safety and security concerns.
  • Navigate potentially sensitive visitor interactions involving healthcare and health insurance.

Exhibit Interpretation:

  • Guide the visitor’s journey across experience points, encouraging exploration and play throughout.
  • Learn background material of the exhibit to help engage visitors with the content.
  • Provide positive and memorable experiences by facilitating programs and tours.
  • Recognize and act on opportunities to enhance a visitor’s engagement through one-on-one assistance or by facilitating short activities.
  • Maintain exhibit spaces by resetting and restocking materials.
  • Prepare materials for activities, programs and events.

Program Development:

  • Research future exhibit and activity topics
  • Use human-centered design to develop and prototype activities and programs for the exhibit.
  • Perform consistent evaluation of programs, activities, and exhibits in the space.

Qualifications:

  • Experience using human-centered design/design-thinking and/or a willingness to learn it
  • Interest in public health, technology, biology, education, and/or innovation.
  • Strong time management skills and ability to juggle multiple competing demands.
  • Personable and naturally enjoys helping others.
  • Curious and open to learning new skills, systems, and processes.
  • Ability to keep calm and composed under pressure.
  • Flexible and open to feedback.
  • Previous employment or volunteer experience in museum interpretation, education, facilitation, or customer service positions is preferred.
  • This job requires workers to be on their feet for a large majority of the day.

Schedule:

  • 9:30am-5:30pm, 4 weekdays
  • 9:30am-5:30pm, 3-4 weekdays
  • 9:30am-5:30pm, 2-3 weekdays
  • Occasional evening, morning, or weekend events
  • Start date: Week of July 8, 2019.

Pay:

  • $18/hr

To Apply:

  • If interested, send your resume, cover letter, and availability to Elaine Mondy, Exhibit Manager, at elainem@well-b.com.
  • Applicants will be accepted along a rolling deadline.

Weekly Jobs Round-Up

Here are the postings from the week of May 19. Happy hunting!

Northeast

Museum Registrar/Collections Manager / Mount Holyoke College Art Museum [South Hadley, MA]
Associate Curator, Public Art and Permanent Collection / MIT List Visual Arts Center [Cambridge, MA]
Clerk/Assistant to the Director / Historic Newton [Newton, MA]
Membership Communications Officer / Museum of Science [Boston, MA]
Biologist II, Rescue & Rehabilitation / New England Aquarium [Boston, MA]
Payroll Administrator and Gift Accountant / Peabody Essex Museum [Salem, MA]
Educational Programs Intern (Paid or Course Credited) / The Mary Baker Eddy Library [Boston, MA]
IFPDA Curatorial Internship at the Harvard Art Museums / Harvard Art Museums [Cambridge, MA]
Digital Marketing Associate / Old North Church & Historic Site [Boston, MA]
Historical Interpreter/Actor / Boston Tea Party Ships & Museum [Boston, MA]
Gallery Intern – Fall & Spring 2019 / Cambridge Art Association [Cambridge, MA]
Sales Associate / The Institute of Contemporary Art [Boston, MA]

Mid-Atlantic

Manager, Visitor Services / Eastern State Penitentiary History Site [Philadelphia, PA]
Collections & Exhibitions Technician / The Jewish Museum [New York, NY]
Principal Gifts Advancement Associate / Smithsonian Institution, Office of Advancement [Washington, D.C.]
Kress Interpretive Fellowship / Colgate University [Hamilton, NY]
Development Database & Gift Processing Manager / The Phillips Collection [Washington, D.C.]
Public Programs Manager / Architect of the Capitol [Washington, D.C.]
Associate Director for Curatorial Affairs / Smithsonian Institution – National Museum of American History [Washington, D.C.]
Collections Specialist, European Paintings / The Metropolitan Museum of Art [New York, NY]
Assistant Director of Annual Giving / Baltimore Museum of Art [Baltimore, MD]
Systems Administrator / Baltimore Museum of Art [Baltimore, MD]
Head Preparator / Glenstone Museum [Potomac, MD]
Museum Director / National Association of Watch & Clock Collectors [Columbia, PA]

Southeast

Director of Operations / The Southern Museum [Kennesaw, GA]
Accounting Manager / Frist Art Museum [Nashville, TN]
Chief Preparator / Vero Beach Museum of Art [Vero Beach, FL]
Membership Manager / Sarasota Art Museum – Ringling College of Art + Design [Sarasota, FL]
Manager of Museum Retail / Sarasota Art Museum – Ringling College of Art + Design [Sarasota, FL]
Director of the National Museum of the Marine Corps (NMMC) and Curator of the Marine Corps / National Museum of the Marine Corps [Quantico, VA]
Coordinator of Docents & Interns / High Museum of Art [Atlanta, GA]
Museum Director / Rogers Historical Museum [Rogers, AR]
Social Media & Communications Specialist / Hattiesburg Convention Commission [Hattiesburg, MI]
Director and Curator Academic Art Gallery / Cress Gallery of Art, University of Tennessee Chattanooga [Chattanooga, TN]
Inventory Technician – Costume and Textiles Collection / The Valentine [Richmond, VA]

Midwest

Director- Space Foundation Discovery Center / Space Foundation Discovery Center [Colorado Springs, CO]
Curator, Draper Natural History Museum / Buffalo Bill Center of the West [Cody, WY]
Lead Preparator / Kemper Museum of Contemporary Art [Kansas City, MO]
Barbara Brown Chair of Ornithology / Science Museum of Minnesota [Saint Paul, MN]
Creative Communications Coordinator / Eli and Edythe Broad Art Museum [East Lansing, MI]
Curator of Interpretation / Wyoming State Museum [Cheyenne, WY]
Curatorial Assistant, Architecture & Design / Denver Art Museum [Denver, CO]
Director of Information Technology / History Nebraska [Lincoln, NE]
Historic Preservation Outreach Coordinator / History Nebraska [Lincoln, NE]

West

Manager of Annual Giving / Hammer Museum [Los Angeles, CA]
Manager of Individual Giving / Hammer Museum [Los Angeles, CA]
Curator of Textiles and Fashion / Honolulu Museum of Art [Honolulu, HI]
Individual Giving Manager / Bay Area Discovery Museum [Sausalito, CA]
Director of Development & Marketing / Sonoma Valley Museum [Sonoma, CA]
Associate Curator / Petersen Automotive Museum [Los Angeles, CA]
Senior Leadership Gifts Officer / Asian Art Museum [San Francisco, CA]
Exhibits Curator / Sealaska Heritage Institute [Juneau, AK]
Exhibitions Design Manager / Heard Museum [Phoenix, AZ]
Registrar / Santa Barbara Museum of Art [Santa Barbara, CA]
Museum & Art Center Manager / Moses Lake Museum & Art Center [Moses Lake, WA]
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