Our work explores the hypothesis that a new mode of reading is taking shape, one in which dense, machine actionable annotations allow readers to work directly and effectively with sources in languages that they do not know – a new middle space between reliance on translation and mastery of the source text (Crane et al. 2019, Crane 2019). This hypothesis has substantial potential importance for our ability to use source texts to explore cultural diversity in general and the diversity of Asian cultures in particular. Our particular work focuses on two challenges for a traditionally Eurocentric subject, Classics (or Classical Studies), which is still used to describe the study of Greco-Roman culture. On the one hand, university students without training in Greek and Latin in secondary school have difficulty mastering the languages and learning about the subject. In spring 2021, the Princeton Classics Department provoked controversy when it made it possible for majors to study Greco-Roman antiquity without learning any Greek or Latin — too few students, especially students of color, had access to Latin, much less Greek, before college (Wood 2021). At the same time, Classics and Classical Studies are far too narrow – we must include other classical languages – Sanskrit, Classical Chinese, Classical Arabic, etc. – if we are to continue using these terms. We report on work that addresses both challenges. Continue reading
Category Archives: Historical languages
ShareTweet Gregory Crane February 24, 2018 Who is using Clarin (https://www.clarin.eu/) and/or Dariah (https://www.dariah.eu/), and particularly the German subprojects https://www.clarin-d.net/de/ and https://de.dariah.eu/, to work with historical languages? If so, are you doing so as a funded member of Clarin or … Continue reading Continue reading
“Deconstructing the Open Greek and Latin Project: The First Thousand Years of Greek”
An AIA-SCS Pre-Meeting Workshop, presented in coordination with the SCS
January 3, 2018, 9:00 to 5:00, Tufts University, Medford, MA
Interested in open access, the digital humanities, or conducting digital scholarship in your research and/or teaching? Aren’t sure what these topics have to do with classics or archaeology, or even how to get started? Then, please consider joining us next January 3 at the AIA-SCS pre-meeting workshop “Deconstructing the Open Greek and Latin Project”!
Alison Babeu called my attention to a recent blog by a Princeton Classics undergrad that really captured a major challenge and opportunity for a new Perseus. Solveig Lucia Gold described her own reaction to the ups and downs of using the reading support that Perseus has offered for Greek and Latin for decades (and, indeed, since before many of our undergraduates were born, if we consider the CD ROM versions of Perseus). The situation will be even better — or worse — when we finally integrate treebanks and alignments between the source texts and the translations. Continue reading
Beginning in Fall 2017
Applications due: February 15, 2017
General information: http://ase.tufts.edu/classics/graduate/digitalTools.htm
In September 2016, we announced the creation of a new MA at Tufts University (“Considering a post-bac in Classics? Think about the new MA in Digital Tools for Premodern Studies at Tufts.” This new program builds upon the established programs in Ancient Greek and Latin, as well as Sanskrit and Classical Arabic (which faculty in the Tufts Classics Department also already support), students are not limited to working with only these languages.
The Humboldt Chair inaugurates an Open Philology Project with three complementary efforts that produce open philological data, educate a wide audience about historical languages, and integrate open philological data from many sources: the Open Greek and Latin Project organizes content (including translations into Classical Arabic and modern languages); the Historical Language e-Learning Project explores ways to support learning across barriers of language and culture as well as space and time; the Scaife Digital Library focuses on integrating cultural heritage sources available under open licenses. Continue reading