Exploring ideas and engaging in conversation

Category: Events (Page 2 of 24)

Week 7 – “Death”

My Home is a Museum project which aims to create an ongoing conversation around the weekly prompts inspired by the events happening the globe. Everyone who sends submissions to  weekly prompts can suggest prompt ideas for the following weeks. The proposed themes are used in the order that they are received. 

Abigail Epplett, is the last week’s participant who suggested “Death” as a prompt for new – Week 7. This is how she explained her choice:

“I was inspired by the cow vertebrae I keep on the filing cabinet next to my desk. I got it from my aunt’s farm a few years ago– her family rents grazing land to the Boston Beef butchers. The vertebrae reminds me of Georgia O’Keeffe‘s western paintings, which often feature cattle bones. I know cultural perception of “death” is highly variable around the world, so I thought it would be interesting to see what mortuary objects other people had around their houses.”

Let me remind you how to participate.

  • Choose an object what fits the theme
  • Take 1-3 pictures of the object
  • Please describe how your object reflects the theme of the week. This is your chance to make your object shine and share its story 🙂

Please include the answers to the following information when submitting your entry:

  • What it your name?
  • Where do you live?
  • What do you do?

Email your pictures and descriptions to Sayyara.huseynli@tufts.edu

P.S. Please note that by submitting your response to this project you agree to its public display.

“Pivotal life events” – responses

Last week’s theme was slightly challenging. A lot has happened in the lives of all of us especially in the last past 4-5 months. So I think it might have been hard to cherry pick one particular event from that myriad. Nevertheless, I am glad to share the following submission.

Fatima Huseynli

Student

Budapest, Hungary

An mage of an electric piano on a stand against a wall. 

“The object that fits the theme perfectly for me, is definitely my piano. I remember back in March, when the pandemic was just picking up and the lockdowns and preventative measures were partly in place, I purchased an electric piano from Amazon. Boy, oh Boy, was that an incredibly important, dare I say, perfectly timed an extremely impactful event in my life. I would be lying if I said what to expect from the following few months. What I did know for sure, was the pure joy, sweet, nostalgic melancholy that I felt while practicing my scales for the first time in over 5 years.

I never picked my piano before. During and after music school I only played my mom’s old, “BELARUS” that was perhaps 35 years old at the moment I took my first piano classes. It was and still is (it’s back at home in my hometown in Azerbaijan) a very reliable instrument (except for the C5 key that often got stuck to my frustration). It was also very large and hard to move due to its fully wooden carcass and mighty inner mechanism and stringing that made it overall a tad intimidating for little me. The grand and imposing silhouette of “BELARUS” seemed to judge me and longed to be played by a better, more experienced and skillful musician. I cannot say I never enjoyed my companionship with it, but I cannot say it inspired me and supported me-we lacked a deeper connection. Certainly, I am not blaming the old soviet piano for discontinuing my musical education on an academic or professional level, no there were many factors at fault there. However, it did play a role in my eventually deliberately emotionally distancing myself from music. 

How incredible is it, that when a few years ago having grown up to appreciate a lot of my prior experiences, I have gotten a newly formed passion and ecstatic almost feverish interest in music theory. I found myself on a quest to understand music, any music classical, baroque, contemporary, eastern, western, folk, techno, psytrance; you name it, I wondered what goes on within it. This time around I was taking a completely different approach that strangely does not have much to do with performing an elaborate repertoire. So I started using different online tools, got a few materials of the internet and started to learn about harmonics, tonics, modes, genres, compositional elements and structures, that composers and songwriters alike use in the magical process of creating a musical piece or song. 

Not long after I decided I simply cannot do without a piano. My piano to be more precise. A companion and friend who will help me further analyze the intricate weaving of the fabric of the nature of music itself.

Ana Perez 

Boston, Massachusetts 

Looking for a job and teaching art online. I paint almost every day. 

 

My painting: “Opportunities” is a response to the theme “Pivotal Life Events”.

Art matters to me, I can express there what I am feeling at the moment. Also, beauty in general is not the same to have a print (what used to be in the same frame) than a real painting on the wall.

A friend moved away to New York and I made the painting for her room one week before she left, I thought it was an opportunity to show her how much fun we have had these 2 years and even if she would see it just for a week I thought it was worth doing it. It will give the opportunity to a new roommate to enjoy it when she comes into that room. 

    

An abstract painting in a gold color frame.

Boston Event: Drinking About Museums at the Well-B Innovation Center

If you don’t yet have Galentine’s Day plans (or Palentine’s Day, gender aside), the Drinking About Museums: Boston group will gather at the Well-B Innovation Center for a tour of their exhibit space and then go for dinner and drinks this Thursday, February 13.

What: Well-B Innovation Center D(rinking) A(bout) M(useums) at the Prudential Center

Where: 800 Boylston Street, Prudential Center, Back Bay Arcade

When: Thursday, February 13, 6-9 p.m. (tour begins at 6; dinner/drinks at 7)

The Well-B Innovation Center in the Pru is a series of rotating exhibits about the future of healthcare. Lots of interesting questions to explore here like, what does a museum funded by a business with a social agenda look like? What does a museum that doesn’t have the same budgetary restrictions as an institution look like?

You can find more information on the event’s Facebook page.

Indigenous Peoples’ Day at Boston-area museums

First, we’d like to start with a land acknowledgement for Tufts University that we are grateful to borrow from an article in the Tufts Daily:

Tufts University’s Medford campus is located on Wôpanâak (Wampanoag) and Massachusett traditional territory. Tufts’ Walnut Hill was once one of the hills in a slave-holding estate called Ten Hills Plantation. Both Africans and Native Americans were enslaved in the colony of Massachusetts, and trade in Native American and African laborers made Massachusetts a driving force in the Atlantic slave trade. 

Op-Ed: Acknowledging our settler-colonial present, the Tufts Daily

Last year, in honor of Indigenous Peoples’ Day, Tufts Museum Studies Blog editor Danielle Bennett shared a list of articles covering efforts to decolonize museums around the world. This year, we’re sharing events happening at Boston-area museums, planned jointly with indigenous educators, artists, and leaders, that celebrate native history and culture.


Indigenous Peoples’ Day at the Museum of Fine Arts, Boston

Monday, October 14, 2019
10:00 am–5:00 pm


Features: free admission, special events

Enjoy free admission and special events at the MFA for Indigenous Peoples’ Day—and the Fenway Alliance’s 18th annual Opening Our Doors Day. Indigenous Peoples’ Day recognizes and celebrates the heritage of Native Americans and the histories of their nations and communities. Enjoy music and dance, take a tour of our Native North American Art Gallery and respond to our collection, and drop in on family art-making activities and artist demonstrations.

Co-created and presented in partnership with Akomawt Educational Initiative and Jonathan James-Perry, Tribal Citizen of the Aquinnah Wampanoag Nation.

Founded in 1870, the Museum of Fine Arts, Boston, stands on the historic homelands of the Massachusett people, a site which has long served as a place of meeting and exchange among different nations.

Cost: free with free admission


Indigenous Peoples’ Day: Abundant Voices at the Isabella Stewart Gardner Museum

Monday, October 14, 2019
10:00 am–4:00 pm

Also offered as part of The Fenway Alliance’s Opening Our Doors Day.

This Indigenous Peoples’ Day, the Gardner Museum is honored to collaborate with choreographer and Neighborhood Salon Luminary Marsha Parrilla of Danza Orgánica to present local Indigenous artists from the Massachusett, Nipmuc, Mashpee Wampanoag, and Aquinnah Wampanoag tribes.

The theme for the day is “Abundant Voices,” emphasizing the necessary perspectives and incredible work of these creative leaders. Enjoy hands-on art making, interactive performance, storytelling, a special performance from Gardner Museum Choreographers in Residence All Ready with local youth performers and more. 

Explore additional hands-on activities and performances organized by The Fenway Alliance throughout the day across the street from the Gardner Museum in beautiful Evans Way Park.

Cost: free with free admission on a first-come, first-served basis


Native American Poets Playlist at the Peabody Museum of Archaeology and Ethnology

Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm

In a program marking Cambridge’s Indigenous People’s Day–celebrated as the federal holiday Columbus Day–eight Native American poets may be heard reading their work in the galleries. Enrich your museum visit by listening to an evocative recorded playlist of contemporary poems by Native American authors. Wander freely across the first-floor galleries to see where the poems take you and expand your understanding of Native arts and cultures. The poems, drawn from a powerful recent anthology, New Poets of Native Nations (edited by Heid E. Erdrich; Graywolf Press) celebrate Native poets first published in the twenty-first century. Hear the exhibits “come into voice” and experience the museum in a new way. Borrow a free audio player with regular museum admission.

Jointly sponsored with the Harvard University Native American Program and the Woodberry Poetry Room at Harvard University

Cost: free with regular admission


Indigenous People’s Weekend at Plimoth Plantation

Saturday, October 12–Monday, October 14, 2019
9:00 am-5:00 pm


Long before Europeans arrived, the Wampanoag people were living in this area known as Patuxet. Join us as we acknowledge the indigenous groups that have called this place home and celebrate their traditions through song, dance, and craft.

Cost: free with regular admission


Wampanoag Perspectives on Land: Acknowledging Indigenous Space at the Fruitlands Museumm

Monday, October 14, 2019
2:00–3:00 pm

Join Elizabeth James-Perry (Aquinnah Wampanoag) on Indigenous Peoples’ Day at Fruitlands Museum as she presents “Wampanoag Perspectives on the Land: Acknowledging Indigenous Space.”  Elizabeth James-Perry (Aquinnah Wampanoag) is a multi-medium traditional and contemporary artist, with specialties in wampum shell carving and reviving natural dye techniques for her finger-woven sashes, bags, and baskets.

Cost: free with regular admission (space is limited – registration is requested)


Though the city of Boston and state of Massacusetts have yet to officially recognize Indigenous Peoples’ Day, we’re heartened to see that hasn’t stopped our cultural institutions. You can find other Boston-area happenings in this list from Cultural Survival. If you’re not in the Boston area, you can find Indigenous People’s Day events around the country in this list by Indian Country Today. Our guess (and hope) is that more museums near you may be celebrating and collaborating with indigenous voices tomorrow* – take a look for yourself!

*and next week, and next month, and next year, and so on – for many more days besides just tomorrow!

Boston events for museum professionals this week

Hello friends and happy Monday! We have details of two events happening this week for museum professionals to share with you. One is happening tomorrow, Tuesday, October 1, and the other on Wednesday, October 2. Both events are FREE but do require advance registration.

Using Visual Thinking Strategies to Jumpstart Audience-Centered Learning

by the Greater Boston Museum Educators Roundtable

About:
Join us for a half-day workshop to consider VTS in a new light! Visitors today suffer from staccato looking: scrolling through Instagram, Facebook, and Snapchat, making instantaneous assumptions about what they see. In order to be responsible citizens in an increasingly global society (with more and more focus on visual culture), visitors of all types need to develop their visual literacy. Doing so increases their ability to assess images and information of all types, including artwork, maps, and primary vs. secondary sources. This level of deep thought and critical thinking informs understanding of our shared human history and fosters a respectful curiosity.

After participating in this workshop, educators will understand Visual Thinking Strategies as a methodology of facilitating conversations about artwork and its broad applications in museum and historic site settings. Participants will learn how to build observation and communication skills in their audiences, how to encourage the consideration of multiple perspectives, how to use images/objects thoughtfully in program planning, and how to improve facilitation skills when teaching. Through small group work and VTS discussions, teachers will walk away prepared to employ an exciting technique that will strengthen audience engagement and foster critical and creative thinking in your museum or historic site.

When:
Tuesday, October 1, 2019
1:00 PM – 5:00 PM EDT

Where:
Otis House Museum
141 Cambridge Street
Boston, MA 02114

Museum Careers Panel Discussion

by the Museum of Fine Arts, Boston

About:
Interested in learning about diverse professions in museums? Hear from a panel of MFA staff members in curatorial, education, exhibitions, conservation, marketing, public relations, and other departments as they discuss working in the museum world. Learn about their career paths, the challenges they encounter in their fields, and the opportunities they envision for the future of museum work. This event is free with Museum admission and open to all undergraduate and graduate students. Students attending institutions participating in the University Membership Program receive free Museum admission.

When:
Wednesday, October 2, 2019
6:00 p.m. – 8:00 p.m. EDT

Where:
Museum of Fine Arts, Boston
Barbara and Theodore Alfond Auditorium (Auditorium G36)
Avenue of the Arts
465 Huntington Avenue
Boston, Massachusetts 02115

« Older posts Newer posts »

Spam prevention powered by Akismet